Marianne Williamson Quotes
Quotes to Explore
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I'm not willing to commit American taxpayers' money anymore or American troops on the ground in another Middle Eastern country.
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What we do for a living does not matter so much as how we do it. It is the spirit in which we do our work that counts, and that counts through all eternity.
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I don't miss acting at all.
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I always knew I would make the record that I made in 'Carter Girl.'
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There can be no literary equivalent to truth.
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As someone who has had cancer, I learned that you don't have to die. Look at me. Because of early detection, I'm fine. I'm cured. I'm well.
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I want to be promoted in the urban areas. A lot of African-American people should know more about me.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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Bullfights have so much color. Not just the matador but also the bull, the arena, and the public. It's all very festive.
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Freedom is secured every day by our men and women in uniform. We must build a future worthy of their sacrifice.
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The future rewards those who press on. I don't have time to feel sorry for myself. I don't have time to complain. I'm going to press on.
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I've always been busy, but I wasn't always successful.
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Easy is to occupy a place in a telephone book. Difficult is to occupy someone's heart; know that you're really loved.
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I'm really interested in playing my age.
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I love Adele; she's a timeless, classic beauty. I think she's beautiful. She's just a real woman.
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When you forgive somebody, it doesn't necessarily mean you want to invite them to your table.
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If 'Deadwood' had gone on another two years, I wouldn't have got as many movies made.
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One city can look at other cities relative to their city and learn something. It's a matter of sharing the patterns of what exists in one society based on landscape or cultural values versus other cities.
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I think the culture today is very, very different from what it was in the '60s, and I feel lucky that I grew up at a time when I had these very strong female role models.
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To me, the grotesque is like a sonic manifestation of reality. I don't know how you could look out onto our world and see only beauty. And I like beautiful things. I like the aesthetically harmonious. But I am much more attracted to something that is off-kilter. It is a truer reflection of not only nature, but the human spirit - the state of the world. I just think everything feels a little off.
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Personally, I like to defiantly split my infinitives.
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In this life, we have to make many choices. Some are very important choices. Some are not. Many of our choices are between good and evil. The choices we make, however, determine to a large extent our happiness or our unhappiness, because we have to live with the consequences of our choices.
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From Dickens's cockneys to Salinger's phonies, from Kerouac's beatniks to Cheech and Chong's freaks, and on to hip hop's homies, dialect has always been used as a way for generations to distinguish themselves.
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Thought that is no longer limited, brings experience that is no longer limited.