Dolly Parton Quotes
Quotes to Explore
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There's a big link between trains and film. One of the first filmed objects was a train. The clickety-clack of the projector and the clickety-clack of the train are similar. There is the idea of the voyage - every voyage is a story. I wonder if film would have been invented without the train.
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I learn something not because I have to, but because I really want to. That's the same view I have for performing. I'm performing because I really want to, not because I have to bring bread back home.
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I have Chinese blood in me... I am not ashamed to admit that perhaps the great leaders of our country all have Chinese blood.
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You measure a government by how few people need help.
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I have no pretension that I belong in D.C. I mean, I have to be cautious on how we do our restaurant.
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I just feel like the days of a handful of executives making the decisions for the entirety of the human public have gone on long enough.
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You have to follow that next step.
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My mother was 45 when she had me, so when I was in high school my parents were the same age as my friends' grandparents.
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My mother and I never got along, not even when I was a child.
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Videos are more like photography. It's not as much about trying to tell a story as it is creating images.
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I have a fear of labels. If someone labels me, I have to respond - do I acknowledge it, reject it, deny it, live up to it, and defy it? Labels can affect your ability to be yourself. If you're not careful, like I wasn't when I was young, that can take a toll on you. You find yourself conforming to everyone else's ideas of who you are.
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I've seen a shift in general about the literacy of the public to what Tourette's is. And that's a testament to local kids and parents having the courage to share their experience.
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When I'm working, on sets or stages, my contracts specify in the rider that no plastic bottles be used. When I'm playing with my band, we all use metal and non-plastic containers for drinking to be ecologically sensitive and show others that this is the way to go.
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If I'm laughing, you know I'm either very happy or very sad. I cope with things with jokes.
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The laughter of the aphorism is sometimes triumphant, but seldom carefree.
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One of the fundamental questions of today's world is undoubtedly the question of equitable globalisation.
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It's the first time I've ever done anything like that. It took longer than I expected. I've gotten a lot of E-mail since I got back, saying they thought I did a good job and presented the case well.
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Today's consumer is less interested in possessing things and more in experiencing them. That's something the music industry needs to get its head around. Do we even need record companies any more?
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As long as you're enthralled by a lifeless form, you're not free.
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One of the stories that dominates our family literature was the fact that my maternal grandfather contracted for - I don't know under what terms - but, for a large section of the old slave plantation. He established himself - sisters and brothers, cousins, etc. on fifty- and sixty-acre plots.
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I'm like the youth's big brother now. I have to be that voice for them.
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When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
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In an ideal socialist economy, the reward for invention would be completely separated from any charge to the users of information. In a free enterprise economy, inventive activity is supported by using the invention to create property rights; precisely to the extent that it is successful, there is an underutilization of the information.
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All of my brothers and sisters are very talented. They all sang all right.
