Octavia E. Butler Quotes
I'm a fifty-three-year-old writer who can remember being a ten-year-old writer and who expects someday to be an eighty-year-old writer.
Quotes to Explore
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The reason for not getting married was that I just didn't have a partner to get married to. Climbing mountains was more attractive to me than marriage, or other fun things like that.
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Though many people said there is no joint border between Turkey and Montenegro, it feels like we are next to each other. We are in the same neighborhood.
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I've been working on this feature script for Master Class, a play by Terrence McNally that won a lot of Tonys.
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There's all sorts of stuff people want to publish anonymously.
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He has a right to criticize, who has a heart to help.
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All the time I was writing hit songs with my partner David Porter, I always had the yen to perform. Sure did. And when the opportunity came, I took it. The first album, 'Presenting Isaac Hayes,' didn't do so hot, but it was like a prelude for what was to come.
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I saw what the Depression was doing to my students. Often they could get no jobs, or jobs which were wholly inadequate. And through them, I began to understand how deeply political and economic events could affect men's lives. I began to feel the need to participate more fully in the life of the community.
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Every body about me seem'd happy but every body seem'd in a hurry to be happy somewhere else.
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It's still going on. I guess it will be until Redmond quits, dies or is jailed.
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Those of us born into vitalist and expressionist cultures must hope that governments will draw back from shutting down the modernist project of exploring, experimenting, and imagining - of voyaging into the unknown - that has been essential for rewarding lives.
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In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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Weight used to be an issue. I was always fat as a child. And everyone used to tell me, 'You've got such a pretty face; why don't you lose some weight?' Over the years I've realised that my body is a certain type, and I have learned to accept it.
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I will say that rowing in the first Olympics was probably one of the most proud moments in my life. What I enjoy about the sport is that it's definitive. Nobody can take away from the fact that you're an Olympian. It's indisputable. You get there on merit and merit alone.
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I do not watch horror films. At all. I am not a horror film girl; I don't have the stomach for it. I've seen a few in my lifetime, like 'The Shining' or 'Carrie,' but I can't sleep for, like, a week after I see something like that.
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I believe that if you have revolutionary potential, you must make the world a better place and use it.
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Environmentalism is a form of pagan fundamentalism. These green wackos are fanatics like al-Quaida. Just like them.
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There seems to be some perverse human characteristic that likes to make easy things difficult.
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If a child finds no stimuli for the activities which would contribute to his development, he is attracted simply to 'things' and desires to posses them.
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I'm pretty prepared for anything. You could shove me out there in any situation - I've done it.
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When people chat to me about my childhood and getting into horses, they're like, 'Was it like the birds sang and the sun came out? Was it an amazing experience?' I'm like, 'No, it was rubbish. I was frightened. I was pretty unbalanced, and most ponies took advantage of me.'
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Living in Edmonton feels so calm, but there is still so much to experience. I know I can find something to do if I want to have fun.
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There's no pillow as soft as a clear conscience.
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I'm a fifty-three-year-old writer who can remember being a ten-year-old writer and who expects someday to be an eighty-year-old writer.
