Kimbra Lee Johnson (Kimbra) Quotes
I do like the idea of pulling in different producers to get new perspectives. That's what I did with Vows and I feel it just gives variety and makes for a more exciting journey for the listener.
Quotes to Explore
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I was an outsider, never quite part of what was going on, always looking in. It turned out to be great preparation for writing fiction.
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There is nothing that says unions have a God-given right to be there. We have to work at it and make ourselves relevant to every section of the workforce.
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To be honest, marriage doesn't scare me and that, it's just once you've been together for so long, if you haven't got any kids it's just a big expensive day out for everyone else to enjoy, isn't it?
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I now believe that major labels can only work with people who care more about fame and money than the quality of the art they produce.
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I couldn't follow nobody's rules.
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I'm not really a piano player, but I play enough to get away with it.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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E-commerce is applicable to Russia, just as it's applicable to any other market.
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I do this thing with my daughter - I put my hand on her face and shake her head, but really affectionately. But I didn't think, and I did that to Flea.
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You can't be preachy - kids are allergic to messages.
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Poverty can teach lessons that privilege cannot.
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As the numbers of native-born Europeans begin to fall, with their anemic fertility rates, will the aging Europeans become more magnanimous toward destitute newcomers who do not speak the national language or assimilate into the national culture but consume its benefits?
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Real biologists who actually do the research will tell you that they almost never find a phenomenon, no matter how odd or irrelevant it looks when they first see it, that doesn't prove to serve a function. The outcome itself may be due to small accidents of evolution.
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People ask what are my intentions with my films - my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct.
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I could hum Beatles songs before I could talk - not very well, but sort of.
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A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
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I never met a poor person who wanted to soak the rich; they want to get rich.
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Well, I started thinking about what you were saying about how your movies need to make a profit. Now, what is the one thing, if you put it in a movie, it'll be successful?
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Surveillant anxiety is always a conjoined twin: The anxiety of those surveilled is deeply connected to the anxiety of the surveillers. But the anxiety of the surveillers is generally hard to see; it's hidden in classified documents and delivered in highly coded languages in front of Senate committees.
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Something in the heart of most human beings simply cannot abide pain inflicted on the innocent, especially children. Even broken men serving in the worst correctional facilities will often first take out their own rage on those who have caused suffering to children. Even in such a world of relative morality, causing harm to a child is still considered absolutely wrong. Period!
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I'm always trying to push the envelope and go with a different hairstyle that you're not going to see on anybody else. I have a really good grade of hair, and I can do a lot of different things with it.
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The car resembles a dragon fly or any other jumping animal that moves shorter distances in straight lines and then changes its direction at different points.
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Each book has been different and has been challenging in its own way to write.
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I do like the idea of pulling in different producers to get new perspectives. That's what I did with Vows and I feel it just gives variety and makes for a more exciting journey for the listener.
