Kel Mitchell Quotes
Quotes to Explore
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The Sundance Institute has been vital to the film communities of Latin America.
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The problem of the world today is the people talk on and on about democracy, freedom, justice. But I don't give a damn about democracy if I am worried about survival.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I think Twitter is best when it sparks conversations elsewhere. To use YouTube and Facebook and all the tools we have available to us today to respond and also promote and answer and engage is awesome.
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You really get the most out of sweet corn if you pick the corn off the stalk and rush it to a pot of boiling water. The longer you wait, the more sugar you lose. But if you get it in the first half hour, that is the sweetest corn ever.
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Always the beautiful answer who asks a more beautiful question.
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Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.
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I grew up in a joint family of 60 people with one kitchen. So I am a firm believer in the family concept.
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My own pregnancies were all about me, me, me. My aches, my pains, my swollen feet, and my body that looked like the Michelin Man.
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If at first you don't succeed, failure may be your style.
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You don't choose a party because it's the flavour of the month. I feel I will be able to work under a political system. I feel if people like me don't enter politics to bring change, who will?
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Perhaps no place in any community is so totally democratic as the town library. The only entrance requirement is interest.
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I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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Especially in technology, we need revolutionary change, not incremental change.
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It is so funny because I was always embarrassed because I never had formal training in acting.
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O Day of days when we can read! The reader and the book, either without the other is naught.
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It is only when there is the supervision and critical oversight from the people that the government will be in a position to do an even better job, and employees of government departments will be the true public servants of the people.
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I traveled to Cuba with the intention of speaking with boxers who had turned down enormous offers to leave. When explaining my project to people, again and again I was met with amusement and skepticism.
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Life is a tide; float on it. Go down with it and go up with it, but be detached. Then it is not difficult.
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I told people I was a drummer before I even had a set, I was a mental drummer.
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I go to make art as who I am as a person. The fact that I am a woman comes into play maybe in the kinds of things I'm interested in or in the way I structure a canvas.
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To be an actress and act crazy is really fun for me, to be able to be acting like you'd never be able to act in your real life and scream and freak out. It's an interesting test for an actor.
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I was the Pink Pansy or whatever, wearing this crazy thing.
