Kel Mitchell Quotes
Quotes to Explore
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The Sundance Institute has been vital to the film communities of Latin America.
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The problem of the world today is the people talk on and on about democracy, freedom, justice. But I don't give a damn about democracy if I am worried about survival.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I think Twitter is best when it sparks conversations elsewhere. To use YouTube and Facebook and all the tools we have available to us today to respond and also promote and answer and engage is awesome.
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You really get the most out of sweet corn if you pick the corn off the stalk and rush it to a pot of boiling water. The longer you wait, the more sugar you lose. But if you get it in the first half hour, that is the sweetest corn ever.
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Always the beautiful answer who asks a more beautiful question.
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Fantasy was something I'd read as a child. And, in fact, my teachers despaired a little bit because I refused to give up Enid Blyton. Then I walked through the wardrobe with C. S. Lewis, and I don't think I actually have returned fully from the wardrobe. So, fantasy was something that was in my life from quite young.
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I grew up in a joint family of 60 people with one kitchen. So I am a firm believer in the family concept.
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My own pregnancies were all about me, me, me. My aches, my pains, my swollen feet, and my body that looked like the Michelin Man.
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If at first you don't succeed, failure may be your style.
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You don't choose a party because it's the flavour of the month. I feel I will be able to work under a political system. I feel if people like me don't enter politics to bring change, who will?
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Perhaps no place in any community is so totally democratic as the town library. The only entrance requirement is interest.
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I don't think any particular painters have inspired me, except in a general sense. It was more a matter of corroboration. The visual arts, from Manet onwards, seemed far more open to change and experiment than the novel, though that's only partly the fault of the writers. There's something about the novel that resists innovation.
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The idea of doing a production of 'Carousel' that doesn't feel like it's stuck in the 1950s really intrigues me.
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Especially in technology, we need revolutionary change, not incremental change.
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It is so funny because I was always embarrassed because I never had formal training in acting.
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O Day of days when we can read! The reader and the book, either without the other is naught.
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It is only when there is the supervision and critical oversight from the people that the government will be in a position to do an even better job, and employees of government departments will be the true public servants of the people.
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I became aesthetically obsessed with language. And 'literary artist' - poet and novelist - is a calling. You are called to it the way preachers are called to preaching the gospel.
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I've done three Broadway shows; once the curtain goes up, that's it. I mean, you prepare and you rehearse like crazy, but after opening night, the director's not there anymore, you know. He gives you notes during previews after each performance, but opening night, you're on your own.
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Isn't it fun to be nuts? Isn't it fun to be crazy?
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It is crazy. It's our first kid, and all of a sudden, she identifies letters as what they are, and you go, 'This kid is a genius - she's obviously some sort of savant!'
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So often the woman forgets her own greatness and she goes a little bat sh-- crazy sometimes. So its up to the other half to love that person back into the person we know them to be.
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I was the Pink Pansy or whatever, wearing this crazy thing.
