Connie Nielsen Quotes
Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.
![Connie Nielsen](http://cdn.citatis.com/img/a/a/9322.v2.jpg)
Quotes to Explore
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I know I'm in the exceptional position of having money, but I didn't have it for many decades. I'm always trying to get shows put on for 25 per cent less production costs.
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Nobody is making Americans buy Chinese goods.
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In the beginning, I didn't dance that much and stuff.
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I am also a drummer of sorts. I've got an electronic set sitting in my bedroom.
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Israel is a piece of real estate that neither Jew or Arab will let go of; neither will leave these shores. And so they will have to learn to live together.
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Children should neither be seen or heard from - ever again.
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I acted when I was a real little kid. My mother was an actress in a Miami theater company comprised of actors from Cuba like her and I was the default kid.
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Although sometimes I might sound sometimes idealist or too optimistic but I think my father used to say to me in everything bad there's something good that is going to come out of it and there will always be a tomorrow.
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The international proletariat first appeared on the scene in the early Thirties of the nineteenth century, and its first great action was the French Revolution of 1848.
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As actors, we put in our best, but when people don't like a film, you have to learn to deal with it. I've learnt not to get too emotional.
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The very first thing I ever did, I was doing some work for the French Cultural Center. They wanted a little recording set up. And I got wire. A wire recorder. The wire came off spools, and to cut and edit, you tied it together in little square knots. Can you imagine?
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Readers let me know that they like books that have more to them than meets the eye. Had they not let me know that, I never would have written 'The View From Saturday.'
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We want every human being in the womb to be safe, not have these babies be killed to solve some dilemma.
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This result was confirmed by different researchers using various experimental arrangements.
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Other people pull off amazing festivals and events and things like that. I think ours is a little bit different, and that's what makes us distinct.
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At the end of OK Computer we were playing big, big arenas and it wasn't right. You can do those things occasionally but at the time it didn't feel right.
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I don't believe there is any finer mission on Earth than just to make people laugh.
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Kudos to you for generating enough sweat that it actually drips off of your body - and all over the machine you are using at the time. If you sweat a lot, that's fine, but wipe down the damn machine when you're done... or I will confront you, and it will not be pretty.
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I don't want to be something that just comes and goes.
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It's not what other people believe you can do, it's what you believe.
Gail Devers -
It's not a joke: I really do like being at home.
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Writing-wise, I started when I was 17. Whatever was bothering me, I could just write about it in a song. I was in the west suburbs of Chicago, then I moved an hour south, and then I went to school up on the South Side - Saint Xavier, though I was at Purdue for a second before I dropped out.
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I have no idea what goes on in another person's mind. As a legislator, I need to be good at persuading people, counting votes and getting to 50 percent plus one. I don't go back and say, 'Why did this person get to the right position?' It's only, 'Are you yes or are you no?'
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Often when you get a really good script, and you receive the new pages, you see that the entire thing has been dumbed down. Films in the '30s and '40s, that were huge blockbusters, were very sophisticated in their language, and the ideas they brought. There were no questions about whether the audience would get it or not.