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In '82 and '83, that was the rise of the VCR. Every Friday, my brother and I would go to Crazy Eddie's - which was a video store in Manhattan - and rent five horror movies. And that's basically what we did, basically, for three years. Becoming social misfits.
Colson Whitehead -
Usually, when I write a novel, it takes me about 100 pages to figure out the voice of the narrator.
Colson Whitehead
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Stephen King in general, as well as films of the apocalypse from the '70s, had a big influence on 'Zone One.'
Colson Whitehead -
In the apocalypse, I think those average, mediocre folks are the ones who are going to live.
Colson Whitehead -
I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
Colson Whitehead -
Most of my books have always worked through juxtaposition, jumping through different point of views and time.
Colson Whitehead -
If you go to a big publishing house, editorial aside, it's completely white.
Colson Whitehead -
I admire Vegas's purity, its entirely wholesome artificiality.
Colson Whitehead
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Once I got to college, it seemed that the Hamptons were a little bit too posh for me and didn't represent the kind of values I was embracing in my late teens. So, I didn't go out there, except to visit my parents, for a long time. And then, after 9/11, I discovered it was a nice, mellow place to hang out.
Colson Whitehead -
I live in Brooklyn. I moved here 14 years ago for the cheap rent. It was a little embarrassing because I was raised in Manhattan, and so I was a bit of a snob about the other boroughs.
Colson Whitehead -
I have a good poker face because I am half-dead inside.
Colson Whitehead -
Other people have hang-ups about what's literary or genre or whatever, and that's sort of not my problem. You're supposed to write what you have to write, and you're supposed to keep moving.
Colson Whitehead -
Some people don't like my fiction, because they prefer the nonfiction. But moving around keeps the work fresh for me and, hopefully, for my one or two readers who follow me from book to book!
Colson Whitehead -
When I'm working on a book, I try to do eight pages a week. That seems like a good amount. Less than that, I'm not getting a nice momentum, and more than that, I'm probably putting out too much crap.
Colson Whitehead
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I wanted to be one of these multidisciplinary critics who is doing music one day, TV the next, and books the next.
Colson Whitehead -
I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.
Colson Whitehead -
Write what you know.
Colson Whitehead -
I've always had a love of cards, ever since I was a little kid. I think poker, as a system, describes the chaos of the world. Our sudden reversals, our freak streaks of fortune. The belief that the next hand can save you, and the inevitable failure of the next hand to save you. I think that describes my world view pretty well.
Colson Whitehead -
It's always hard to write and get your words out there, to find an editor, a publisher - readers! - who are going to appreciate them.
Colson Whitehead -
In 'John Henry Days,' I was taking my idea of junketeering and sort of blowing it up to absurd extremes.
Colson Whitehead
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The movie 'Rock 'n' Roll High School' was a sacred text in my household.
Colson Whitehead -
My mom's mother was from Virginia, but I don't feel much of a tie. I'm very much anti-South for many, many reasons. Whenever I go down there, people are always looking at me funny, you know.
Colson Whitehead -
I'm always trying to switch voices and genres.
Colson Whitehead -
I've always thought the Nat Turner story to be very interesting.
Colson Whitehead