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I love getting out of the Q train at Union Square. It's such a mix of people, like a party. There's always an errand you can do along there, whether it's picking up contacts or buying poker chips.
Colson Whitehead -
I'm just trying to keep things rich for me creatively and for the readers who follow me.
Colson Whitehead
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I've always had a love of cards, ever since I was a little kid. I think poker, as a system, describes the chaos of the world. Our sudden reversals, our freak streaks of fortune. The belief that the next hand can save you, and the inevitable failure of the next hand to save you. I think that describes my world view pretty well.
Colson Whitehead -
Write what you know.
Colson Whitehead -
I wanted to be one of these multidisciplinary critics who is doing music one day, TV the next, and books the next.
Colson Whitehead -
I started writing in the '90s, so I was free to just have an eccentric career and not conform to some idea of what a black writer has to do. I didn't have the burden of representation.
Colson Whitehead -
My mom's mother was from Virginia, but I don't feel much of a tie. I'm very much anti-South for many, many reasons. Whenever I go down there, people are always looking at me funny, you know.
Colson Whitehead -
Being a slave meant never having the stability of knowing your family would be together as many years as God designed it to be. It meant you could come back from picking cotton in a field to find that your children are gone, your husband's gone, your mother's gone.
Colson Whitehead
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I like to explore different ideas of race, how the concept of race has evolved in the country. It's one thing I enjoy talking about, but I don't feel compelled to talk about it.
Colson Whitehead -
I'm always trying to switch voices and genres.
Colson Whitehead -
Some people don't like my fiction, because they prefer the nonfiction. But moving around keeps the work fresh for me and, hopefully, for my one or two readers who follow me from book to book!
Colson Whitehead -
'Sag Harbor' was a very different book for me. It changed the way I thought about books that I wanted to do.
Colson Whitehead -
I have a good poker face because I am half-dead inside.
Colson Whitehead -
I think a joke is a form of truth-telling. A good joke that's absurd contains elements of our daily darkness and also a possibility to escape that darkness. So, for me, humor is an attempt to capture everyday tragedy and everyday hopeful moments that we experience all of the time.
Colson Whitehead
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'Driving while black' was taught to me at a young age.
Colson Whitehead -
When I'm working on a book, I try to do eight pages a week. That seems like a good amount. Less than that, I'm not getting a nice momentum, and more than that, I'm probably putting out too much crap.
Colson Whitehead -
Once I got to college, it seemed that the Hamptons were a little bit too posh for me and didn't represent the kind of values I was embracing in my late teens. So, I didn't go out there, except to visit my parents, for a long time. And then, after 9/11, I discovered it was a nice, mellow place to hang out.
Colson Whitehead -
I've always thought the Nat Turner story to be very interesting.
Colson Whitehead -
I like questions that tee me up to make weird jokes, frankly.
Colson Whitehead -
I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.
Colson Whitehead
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I was always into comic books and horror stories and a huge consumer of pop culture. And then I worked for awhile for 'The Village Voice'.
Colson Whitehead -
If you want to understand America, it's slavery.
Colson Whitehead -
If you write about race in 1850, you end up talking about race today because in many ways, so little has changed.
Colson Whitehead -
In 'John Henry Days,' I was taking my idea of junketeering and sort of blowing it up to absurd extremes.
Colson Whitehead