Colm Wilkinson Quotes
You have to try and make the role your own and not copy anyone else.
Colm Wilkinson
Quotes to Explore
-
When you first hear Mozart's music, your first impression is that it's very alive, but if you peel away the layers, you can hear sorrow and sadness behind it, and that's what I try to be: multi-layered.
Park Chan-wook
-
White Americans today don't know what in the world to do because when they put us behind them, that's where they made their mistake... they put us behind them, and we watched every move they made.
Fannie Lou Hamer
-
I'm trying to strike a balance between Bollywood and Hollywood.
Irrfan Khan
-
I write romance because I love to read romance.
Rachel Gibson
-
Fellow citizens, we cannot escape history. We, of this Congress and this administration, will be remembered in spite of ourselves. No personal significance, or insignificance, can spare one or another of us. The fiery trial through which we pass will light us down in honor or dishonor, to the latest generation.
Abraham Lincoln
-
I remember, in my first show in New York, they asked, 'Where is the Indian-ness in your work?'... Now, the same people, after having watched the body of my work, say, 'There is too much Indian philosophy in your work.' They're looking for a superficial skin-level Indian-ness, which I'm not about.
A. Balasubramaniam
-
Every friend is to the other a sun, and a sunflower also. He attracts and follows.
Jean Paul
-
I am really proud of what I have done for cancer awareness, but do I feel like Bono? No.
Andy Rourke
The Smiths
-
I totally believe in magic. Because my life, I think, has been very magic, and magical things have come true for me time after time after time.
Stevie Nicks
Fleetwood Mac
-
I've always figured the only way I could finish a book and get a plot was just to keep making it longer and longer until something happens - you know, until it finds its own plot - because you can't outline and then fit the thing into it. I suppose it's a slow way of working.
Nelson Algren
-
The time was simply ripe for the disappearance of tonality. Naturally this was a fierce struggle; inhibitions of the most frightful kind had to be overcome, the panic fear, 'Is that possible, then?' So it came about that gradually a piece was written, firmly and consciously, that wasn't in a definite key any more.
Anton Webern
-
You have to try and make the role your own and not copy anyone else.
Colm Wilkinson