Colm Feore Quotes
On '24,' it says on the front page of your script: 'This script is for the production staff and cast. Please don't show it to anybody else.'
Quotes to Explore
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We all have thoughts and feelings that we believe are fundamental to our lives but that are better left unspoken.
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I don't know how much the economy has changed since Jonathan Swift's 'A Modest Proposal.'
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Sofia Coppola is wonderful, and I'd love to work with her.
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What's genius about 'Gravity' is that you are close upon the actors, but 3D works best when you have foreground, middle ground and background.
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I have new ideas every day, and I always want to take on new challenges.
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We do not believe in immortality because we can prove it, but we try to prove it because we cannot help believing it.
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Spoon feeding in the long run teaches us nothing but the shape of the spoon.
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I am bullish on the global development. I am bullish on billions of people getting out of poverty.
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I have never been worried about the future. I will always be able to drive my own feet.
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My last two records that I made were both quite pointed in one direction and I think I do my best stuff when it's all over the map, when there's a couple traditional things, a couple pretty rocking things.
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People sometimes say, 'Oh, you were a movie star,' and I'm like, 'No, I was a supporting actress.' I wasn't an A-list actress, and I'm fine with that. I'm proud of what I did in film.
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Even the most understated ceremony involves a certain respect for ritual and pageantry. No one plays more of a significant role than the bride's attendants.
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I'm a big yogi.
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Without a functioning hippocampus, names, dates, and other information falls straight through the mind like a sieve.
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The way the business things work in Russia is you have to meet people, you have to go through a certain amount of etiquette and business things are done just simply by a shake of the hand and whether they like you or not.
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For 20 years I've gotten to laugh my way through my work. For me, that's a dream job.
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I was this weird misfit guy from suburban Seattle, I never really fit in, and then I became a drama geek, among all the other different kinds of geek that I was growing up, and I found I was pretty good at it.
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I arise today Through a mighty strength, the invocation of the Trinity Through belief in the threeness Through confession of the Oneness Towards the creator.
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The soul is subject to dollars.
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I see my large nose, like half an avocado. I broke it falling downstairs when I was six, and it now resembles a large blob of play-dough.
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I just like to have the ideas. Other people can help see them through.
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Obviously, my life and my job in 2010 is very different from Peggy's experience in the 1960s. I exist in a world that enjoys more equality between men and women. But I don't take any of that into my performance. I just want to play the character as who she is as an individual - scene to scene.
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Whatever outrageous dream keeps flowing across your mind, allow it to live inside you. Don't deflect it, diminish it, invalidate it or come up with some excuse for why it can't happen. This will allow it to explain itself to you - why it's there, what it means, and what if anything you should do about it.
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On '24,' it says on the front page of your script: 'This script is for the production staff and cast. Please don't show it to anybody else.'
