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Art is thought, and thought only gives the world an appearance of order to anyone weak enough to be convinced by its show.
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The Outsider is always unhappy, but he is an agent that ensures the happiness for millions of 'Insiders'.
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You've got the temperament of a scholar, and you live on your own and write books. You don't have anything to do with civilization. You've been in London a few days and you can't wait to get back home. But how about the people who can't write books - people there's no outlet for in this civilization? What about your new men who don't know what to do?
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The 'passion for incredulity' can produce as much self-deception as the uncritical will to believe.
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Sexual activity is driven by the same aims and motives as reading poetry or listening to music: to escape the limitations imposed by the need for particularity in the consciousness.
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These men traveling down to the City in the morning, reading their newspapers or staring at advertisements above the opposite seats, they have no doubt of who they are. Inscribe on the placard in place of the advertisement for corn-plasters, Elliot's lines:
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Suffering is admittedly one of the central problems of human existence; but this is because we have a suspicion that it is all for nothing. If we had a certainty about meaning, the suffering would be bearable. With no certainty of meaning, even comfort begins to feel futile.
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In reading Jung's account of his cases, it is impossible not to be aware that his success was due partly to an element of ruthlessness; he was dominated by curiosity rather than compassion.
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...the Outsider's problem is the problem of denial of self-expression.
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Could it be that sexual perversion and romanticism sprang from the same longing for distant horizons?
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Humanism is only another name for spiritual laziness, or a vague half-creed adopted by men of science and logicians whose heads are too occupied with the world of mathematics and physics to worry about religious categories.
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One gloomy and pessimistic writer with a powerful style affects a whole generation of writers, who in turn affect almost every educated person in the country.
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He was a man born into a world dominated by scientific materialism. His objection to this materialism was not merely intellectual, or even egotistical (the feeling 'If the world is wholly material, then I can't be very important'). It was the feeling that man is cut off from his inner powers by this superficial attitude.
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Cézanne's painting is strictly painting, and its value is immense; but Van Gogh's painting has the Outsider's characteristic: it is a laboratory refuse of a man who treated his own life as an experiment in living; it faithfully records moods and developments of vision on the manner of a Bildungsroman.
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This is a strange - and rather alarming - realisation. For it clearly implies that masturbation is one of our highest faculties that human beings have developed. Many animals masturbate - but never without the presence of another animal, or some similar stimulus. A human being can masturbate in an empty room: a triumph of pure imagination.
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'You', the ego, live in your left brain. When we say that man is the only creature who spends 99 per cent of his time inside his own head, we mean, in fact, inside his left cerebral hemisphere. And in the basement of the left hemisphere is the library full of filing cabinets - the stuffy room that we mistake for reality.
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I've always believed that a writer has got to remain an outsider. If I was offered anything like the Nobel Prize for Literature, I'd find it an extremely difficult conflict because I'd be basically disinclined to accept.
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The basic paradox about sex is that it always seems to be offering more than it can deliver. A glimpse of a girl undressing through a lighted bedroom window induces a vision of ecstatic delight, but in the actual process of persuading the girl into bed, the vision somehow evaporates.
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In the mid nineteenth century, the typical murderer was a drunken illiterate; a hundred years later the typical murderer regards himself as a thinking man.
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The vitality of the ordinary members of society is dependent it’s Outsiders.
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In refusing to face evil, Sinclair has gained nothing and lost a great deal; the Buddhist scripture expenses it: those who refuse to discriminate might as well be dead.
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It is not enough to accept a concept of order and live by it; that is cowardice, and such cowardice cannot result from freedom. Chaos must be faced. Real order must be preceded by a descent into chaos.
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This, I feel, is missing a vital point: that the sceptic is often a totally honest person who, for perfectly good, sound reasons, simply cannot see a case for belief. In fact many - like Courty Bryan - admit that they would like to be convinced, but find it impossible.
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It seems that thought itself has a power for which it has never been given credit.