Colin Wilson Quotes
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Crowley wanted to be a magician because he wanted power - power over other people.
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The basic paradox about sex is that it always seems to be offering more than it can deliver. A glimpse of a girl undressing through a lighted bedroom window induces a vision of ecstatic delight, but in the actual process of persuading the girl into bed, the vision somehow evaporates.
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The chief impression left by a study of Crowley's life and works is that he wasted an immense amount of time and energy trying to shock everyone he came into contact with, and his dislike of orthodoxy turned him into an unconsciously comic figure, like Don Quixote.
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The 'open' mind of the poet and artist can sense realities beyond the reach of our normal senses. The real problem is that our materialistic assumptions have a number of false premises built into them: it is only when we recognize this that we see there is no sharp dividing line between the everyday world and the invisible world of the clairvoyant.
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This is the Outsider's extremity. He does not prefer not to believe; he doesn't like feeling that futility gets the last word in the universe; his human nature would like to find something it can answer to with complete assent. But honesty prevents his accepting a solution that he cannot reason about.
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Sexual activity is driven by the same aims and motives as reading poetry or listening to music: to escape the limitations imposed by the need for particularity in the consciousness.
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The 'passion for incredulity' can produce as much self-deception as the uncritical will to believe.
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You've got the temperament of a scholar, and you live on your own and write books. You don't have anything to do with civilization. You've been in London a few days and you can't wait to get back home. But how about the people who can't write books - people there's no outlet for in this civilization? What about your new men who don't know what to do?
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Could it be that sexual perversion and romanticism sprang from the same longing for distant horizons?
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And the central assertion of his philosophy is that this inner realm is the 'spiritual world' and that once man has learned to enter this realm, he realizes that it is not a mere imaginative reflection of the external world, but a world that possesses its own independent reality.
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Suffering is admittedly one of the central problems of human existence; but this is because we have a suspicion that it is all for nothing. If we had a certainty about meaning, the suffering would be bearable. With no certainty of meaning, even comfort begins to feel futile.
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The Outsider is always unhappy, but he is an agent that ensures the happiness for millions of 'Insiders'.
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One gloomy and pessimistic writer with a powerful style affects a whole generation of writers, who in turn affect almost every educated person in the country.
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I've always believed that a writer has got to remain an outsider. If I was offered anything like the Nobel Prize for Literature, I'd find it an extremely difficult conflict because I'd be basically disinclined to accept.
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Cézanne's painting is strictly painting, and its value is immense; but Van Gogh's painting has the Outsider's characteristic: it is a laboratory refuse of a man who treated his own life as an experiment in living; it faithfully records moods and developments of vision on the manner of a Bildungsroman.
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...the Outsider's problem is the problem of denial of self-expression.
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In refusing to face evil, Sinclair has gained nothing and lost a great deal; the Buddhist scripture expenses it: those who refuse to discriminate might as well be dead.
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What can characterize the Outsider is a sense of strangeness, or unreality.
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Jung believed that he was proceeding scientifically, but most Freudians remain convinced that he was inventing his own underground realm, rather as Tolkien invented Middle Earth. There is at least an element of truth in this view.
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Chapter Six, The Question of Identity
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And in a flash I understood the meaning of sex. It is a craving for the mingling of consciousness, whose symbol is the mingling of bodies. Every time a man and a woman slake their thirst in the strange waters of the other's identity, they glimpse the immensity of their freedom.
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'You', the ego, live in your left brain. When we say that man is the only creature who spends 99 per cent of his time inside his own head, we mean, in fact, inside his left cerebral hemisphere. And in the basement of the left hemisphere is the library full of filing cabinets - the stuffy room that we mistake for reality.
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It seems that thought itself has a power for which it has never been given credit.
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This, I feel, is missing a vital point: that the sceptic is often a totally honest person who, for perfectly good, sound reasons, simply cannot see a case for belief. In fact many - like Courty Bryan - admit that they would like to be convinced, but find it impossible.