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As much as "The Lobster" feels like a world we recognize but not the world we live in, it's all drawn in an allegorical way from all the systems that exist.
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I mean you can go wherever you want with it really. No matter what story you're telling you're always representing some reality. You are always representing human beings, their fears, their shortcomings, their braveries, their doubts, their loves, their abilities, their brilliance and those things inevitably lead to bigger political systems, foreign policy and crime and religion. It's an action film. We are not taking a stance about big government.
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Quite often on a movie like Total Recall you have this training period of two or three months where, like on the first 'Underworld' I was doing gymnastics and trampolining and all this stuff which I don't do in the movie necessarily, but mentally it helps. You come home and you go: 'Well, I've done all that. I must be an action star now!' So it helps you focus a little bit and gets you fit.
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I've got plenty of love in my life already in the form of my sons and a few good friends who I value dearly.
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Hollywood. It lacks originality. Remake sucks.' But I had to look deeper into it from my own perspective. We are not trying to compete with the original at all and that's what allowed me to pull the trigger without any hesitancy.
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There was a part of me that felt afraid of people in Hollywood going: '**** Hollywood with their total lack of originality!'.
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I've never seen a moon in the sky that, if it didn't take my breath away, at least misplaced it for a moment.
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I got to work with Jared Leto. Jared's cute. Oh, I'll tell you. Jared will make you doubt about your sexuality.
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It as an argument between the world of emotion versus the world of the intellect. It's the idea that you can suppress a person's mind and a person's experiences, mentally, psychologically and intellectually, but you can't completely quiet them to the point of dormancy and the emotionally life a person. You still have the heart and what the heart remembers and what the heart experiences. And even that isn't important that that comes across.
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When I read the script it was extraordinary and to work with Yorgos [Lanthimos] again was amazing.
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Anything that's different from your own realm of experience as a human being, whether it's driving a car or a boat, or using guns, anything that separates you from yourself and leads you more towards this character's existence is a big help.
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I'll wait to see what the film [The Lobster] is, but it's set in a contemporary world, in America, there are hospitals and diners, parks, things that we will recognize and experienced ourselves but yet there's this similar kind of uneasiness through all the interactions and all the things that take place. It was unnerving reading the script. I kind of felt nauseous after reading it.
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The original WAS a fun film. [Paul] Verhoeven made a couple of 'Robocops' that were so great, too. I think the level of excitement is great and Arnie [Schwarzenegger] was particularly charismatic with that chopped up English, and the size of the man with his confidence and sense of humor.
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It's so technical. It's nothing personal. You're not fighting really, you're missing each other by a half of foot at least, ideally more and you get a few knocks and bruises. But with the kissing, you do kiss someone. Its lips on lips.
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My Mum taught me great manners. And she always told me that you can be or do whatever in life, as long as you don't hurt anyone and you're happy. My Mum's great; I adore her.
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I certainly do believe in monogamy. I don't believe that it's for everyone. I don't believe that marriage is for everyone. So much of life is begging to be chosen how it wants to be lived. Much more than most of us realize.
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I think people are propelled towards violence, and what propels them is much more interesting than the actual act of violence itself.
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Every week a tsunami rips through poor towns and villages all over the world ... That tsunami is hunger.
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I think people enjoy "The Lobster" because people respond to original things, but I think they only respond to original things if they connect to some truths within us.
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I was disappointed, but I kind of knew it was going to be an uphill struggle because of how strong the first season [of "True Detective"] was.
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From my experience, the only thing you can do is take what's written on the page and try, through your own curiosity and investigation, to make it your own and honor what the original intent was.
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You have the upmost amount of energy because you're not just having a cocktail at the end of the night. You're actually not drinking alcohol and you're keeping your body really clean and it's an amazing feeling to be getting out all the toxins.
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On "[Total] Recall" also [sets were extraordinary], but this was next-level. They built two or three blocks of midtown Manhattan in 1926 and it was inhabited with 400 extras and 24 Model Ts and a train system and all that kind of nonsense. It was madness. You would walk into shops and they would have the goods from that period, it was just huge.
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Every week a tsunami rips through poor towns and villages all over the world. It claims 25,000 lives a day, 175,000 a week. It sweeps children from the arms of their mothers, robs hundreds of millions of any hope for the future. That tsunami is hunger. Help us end it now.