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I'm just a true Irish boy at heart. I'm just myself, I stick by my guns and I treat people the way I think they should be treated, regardless of their status. And I just have a laugh.
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I'm not going to experience the reality of hardship that sometimes my characters live in. I'm very cautious about that.
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You're scrutinized all through your life - you're scrutinized by your family, by yourself, by society, and your friends in a certain way, shape, or form.
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I love the grandiosity, how sweepingly entertaining films can be. And I think there's a place for films that pry more into the human condition.
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I think I'm still trying to find my feet as an actor. And I know it ain't brain surgery, but it confuses me and it comes between me and my sleep a lot.
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I think, as human beings, we at times overvalue the intellect and we undermine the body. I don't mean a body externally and the shape of a body. I mean the intelligence of a body, the memories that a body can store, how a body feels emotion, and how a body processes emotion.
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Women tend to immediately take responsibility if somebody messes up with both of us saying it's our fault. Men are quite happy for it to be your fault it seems like.
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I have hope. I have no expectations.
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You know. I'll try anything. I'll do anything. I'll explore. Try different takes. All that kind of stuff to do sometimes, to do good performances, but always conducive to having a good time creatively.
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I think that is what you want to do as a cinemagoer - to experience something fully. Some things don't let you experience them fully. It may be your own preordained prejudice where you can't experience them fully. But when you come out of the cinema having felt, thought, and experienced your way through two hours, that is a really cool thing.
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But I dare not think too far into the future on the risk that I'll miss the present.
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I love my kids. I'm crazy about them.
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I didn't work with any of the beasts [ "Fantastic Beasts"], I didn't have much green screen, but I loved working on it. I'm excited to see it myself.
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You dream to eat whatever you can and get away with it and then when you're told you have to eat, it loses its fun straight away.
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That's the process of making the film and it isn't until the world puts their eyes to it that you find out if it's creating any kind of connection at all. But every single film at some stage of the film I think, "I wonder what this is going to be?"
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It's not that I'm stupid. I just don't think sometimes.
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I am more comfortable doing a drama.
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I had a list of about 35 restaurants, 25 of which were fast-food joints all around Los Angeles and I didn't get a quarter through the list. It just became me thinking about going to these places and wanting to enjoy the food and food just not being enjoyable anymore.
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I do have the ability to explore life and to be over the moon at the smallest thing - a few pints and a craic in the pub and I'm in heaven. But I have a melancholy side to me as well. Acting allows me to feel things, it kind of buys me human experience. And I don't mean this as acting as higher cause, because it's not, but it does kind of have a higher awareness emotionally.
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Beauty is undefinable in language. It's something that you see when you see it, or you feel when you feel it, or you hear when you hear it. It usually encompasses all five of the senses. It can't exist without it being a somehow sensorial experience. But, I don't think it's quantifiable. Nothing is really quantifiable. Nothing is certain in love and friendship. We all try to understand these things.
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Audiences will see what they want to see. Some will come out, hopefully enjoying two hours of action. Some people will find themselves gravitating towards the emotional dilemma that the characters find themselves in. Other people will see that there is some layer of subversions to the storytelling aspect of poking a finger of judgment at certain governments to the idea of foreign invasion, others maybe false pretenses.