Colin Farrell Quotes
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I've never seen a moon in the sky that, if it didn't take my breath away, at least misplaced it for a moment.
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I'm not keen on cars and motorbikes. I tried to be a biker, but it wasn't me - I bought a Harley-Davidson and dumped it.
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From my experience, the only thing you can do is take what's written on the page and try, through your own curiosity and investigation, to make it your own and honor what the original intent was.
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Every week a tsunami rips through poor towns and villages all over the world ... That tsunami is hunger.
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On "[Total] Recall" also [sets were extraordinary], but this was next-level. They built two or three blocks of midtown Manhattan in 1926 and it was inhabited with 400 extras and 24 Model Ts and a train system and all that kind of nonsense. It was madness. You would walk into shops and they would have the goods from that period, it was just huge.
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I'm just a true Irish boy at heart.
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I personally just want to do as many different things as I can do, whether it's comedy, drama, science fiction, horror, narrator... You've got a documentary, I've got a voice. Animated films. Big films, small films.
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I don't go to the gym or practice yoga. And the closest thing I have to a nutritionist is the Carlsberg Beer Company. I just have the appetite of a pigeon.
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Most of actor's work is done at home, in your hotel room, in the wee hours of the morning thinking and reading and feeling, walking around and listening to music. It really just because an internal exercise, whatever skills. It's great if you have to learn something new for a gig and designing a character physically is always fun but it does become an internal exercise in separating the wheat from the chaff.
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Around the world there are certain marital systems, certain physical systems, political systems, social systems, and all those things are kind of turned on their head but represented in various ways within "The Lobster."
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At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same.
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I do enjoy reading some science fiction.
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Desperation will allow you to do incredible things in the name of survival.
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[Yorgos Lanthimos] is really a master I feel, I really do.
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The level of backlash [for the True Detective] was kind of fascinating and not fully shocking because I know what the world of the internet is and how it's a platform to project their greatest anger and frustrations. But it's also a place where people can wax lyrical and be effusive in their glowing fondness of something.
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I was disappointed, but I kind of knew it was going to be an uphill struggle because of how strong the first season [of "True Detective"] was.
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I've started films like Miami Vice where I'm in really good shape and I look back on that film and see the moustache is bigger as I've got a larger face.
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I count 'Underworld 4' as my training period for 'Total Recall.' I do think it was hard because I didn't realize how tired I was. It is quite a lot to sustain that kind of physical work over nine months altogether and by the end of it, I definitely felt like I had aged quite a bit in that year.
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I must say, I am thrilled with my fan base. For some reason some of them are quite young, so they are quite frightened. I remember when I did 'Click' and I'd see Adam Sandler's fan base. He's the guy that people feel that he's their best friend, so he's walking down the street and people sort of high five him and want to tell him a joke or invite him to come home and have a sandwich with them. Mine are not like that. Mine tend to go: 'Argh,' and look horrified. They shake and take a picture from a really long way away. I do feel I've got quite good, respectful ones though.
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It doesn't matter if it's a drama or a comedy, the need to get the emotion and the character arc across is way harder in something like this so was more of a preparation.
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I love working with horses. People say you shouldn't work with animals and children; that's wrong. You must only work with children, because you only work eight hours a day and I love working with animals. Animals have an honesty that human beings reach to find in their lives at the best of times.
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If you do a fifteen hour day on a film, there's a lot of time standing around but at the end of that, you want to go home to your hotel room and have a bite to eat, watch a movie and go to bed.
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Every week a tsunami rips through poor towns and villages all over the world. It claims 25,000 lives a day, 175,000 a week. It sweeps children from the arms of their mothers, robs hundreds of millions of any hope for the future. That tsunami is hunger. Help us end it now.
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The idea of implanting memories where by the implantee couldn't tell the difference between a real experience and a fantasy experience was really cool. And his ideas of technology - do we control technology or does technology begin to control us? His work hasn't aged a day it seems.