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But no matter how many times we re-rank the presidents, in another 200 years, the top presidents will still be Washington and Lincoln and Jefferson, because they defined what a president is. They are the idea, and you can't be better than the idea.
Chuck Klosterman -
Real people are actively trying to live like fake people, so real people are no less fake. Every comparison becomes impractical. This is why the impractical has become totally acceptable; impracticality almost seems cool.
Chuck Klosterman
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Necessity used to be the mother of invention, but then we ran out of things that were necessary. The postmodern mother of invention is desire; we don’t really “need” anything new, so we only create what we want.
Chuck Klosterman -
Let's say Twitter existed during the Civil War. We would have a better understanding of people in the Confederacy who were against slavery, people in the North who actually felt we should just let the South be the South. Because the way it is now, it seems like we have this portrait where everybody in Georgia hated Yankees and everybody in the North was enlightened. That wouldn't seem as clear cut as it does now.
Chuck Klosterman -
I get enjoyment out of writing, but I get absolutely no enjoyment out of rewriting, so I don't do much of it. The more you work on something, certainly, the better it gets. But there's also a pretty clear law of diminishing returns. It drives me crazy to do readings of my books, because if I read anything I've written in the past, I'd like to almost rewrite everything.
Chuck Klosterman -
I don't go to scary movies. I don't like the experience of being scared. I think it's very weird that some people do. Obviously, humans are the only animals that do that. You don't see a wolf walk to the end of a cliff and look over the edge to freak himself out.
Chuck Klosterman -
The things he did on purpose were usually no different from the mistakes he made by accident.
Chuck Klosterman -
I care about strangers when they're abstractions, but I feel almost nothing when they're literally in front of me.
Chuck Klosterman
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Booze is the greatest of all equalizers. Rich drunks and poor drunks both pass out the same way.
Chuck Klosterman -
I think one possibility [in the future] might be chemotherapy. And I'm always hesitant to say that because it makes it sound like I'm against chemotherapy. Right now, chemotherapy is the best cancer treatment therapy we have. But let's say we find some way where we can almost genetically engineer the DNA of our being and fight cancer that way. Then, the idea that we used to pump poison into people to fight off cancer will almost seem like the use of leeches or something.
Chuck Klosterman -
The only people who can ever put ideas into context are people who don't care; the unbiased and apathetic are usually the wisest dudes in the room. If you want to totally misunderstand why something is supposedly important, find the biggest fan of that particular thing and ask him for an explanation. He will tell you everything that doesn't matter to anyone who isn't him. He will describe paradoxical details and share deeply personal anecdotes, and it will all be autobiography; he will simply be explaining who he is by discussing something completely unrelated to his life.
Chuck Klosterman -
If I'm around spiders, my fear isn't so much the spider, but my fear is that I'm somewhere rustic and that spiders are crawling around. I must be in the woods.
Chuck Klosterman -
I'm good at being by myself. I guess if you're a writer you get used to that.
Chuck Klosterman -
We are often wrong about the past, but at least with the past you can change your thinking. We can't do that with the future.
Chuck Klosterman
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Why don't I like crowds? I suppose the worst possible thing I could say is that I don't like people, and that crowds are just collections of people. That seems like a very nihilistic way to look at the world.
Chuck Klosterman -
When I was a film critic, the reason I kind of found it disenchanting was because the things that I wanted to talk about were the ideas in the movie, the theme of it, and contextual elements that weren't necessarily central to the story. But the only thing people really wanted was a plot description and how many stars I'd give it. It didn't matter how much effort you put into writing a piece, they looked at it solely as a consumer's guide toward going or not going to films.
Chuck Klosterman -
If rain is God crying, I think God is drunk and his girlfriend just slept with Zeus.
Chuck Klosterman -
It seems as though our ability to change technology happens so quickly, and our ability to evolve as creatures is still very slow.
Chuck Klosterman -
If rain was God crying, I think God was drunk and his girlfriend just slept with Zeus.
Chuck Klosterman -
No woman will ever satisfy me. I know that now, and I would never try to deny it. But this is actually okay, because I will never satisfy a woman, either. Should I be writing such thoughts? Perhaps not. Perhaps it’s a bad idea. I can definitely foresee a scenario where that first paragraph could come back to haunt me, especially if I somehow became marginally famous.
Chuck Klosterman
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Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
Chuck Klosterman -
Punk was perfect for lazy people, because anyone could do it--you didn't even need to know how to play your instrument, assuming you knew how to plug it in. There was really no difference between Sid Vicious and anyone in London who owned a bass.
Chuck Klosterman -
People are more interested in reading bombastic ideas, whether they're positive or negative. Part of me has sort of lost interest in doing criticism because of that. I've always realized that criticism is basically autobiography. Obviously in my criticism, it's very clear that it's autobiography, but I think it's that way for everybody.
Chuck Klosterman -
It doesn't matter what you can do if you don't know why you're doing it.
Chuck Klosterman