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I feel like a lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.
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Who Am I? Or (Perhaps More Accurately) Who Else Could Be Me?
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To me, fear of the future means fear of technology. I have a little bit of that. I still use it, but I kind of see technology as this harmful thing that's so ingrained in my life that it sort of dictates and controls my relationship with it.
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I remember saying things, but I have no idea what was said. It was generally a friendly conversation.” —Associated Press reporter Jack Sullivan, attempting to recount a 3 A.M. exchange we had at a dinner party and inadvertently describing the past ten years of my life.
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Every time I learn the truth about something, I’m disappointed.
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If someone breaks your heart, just punch them in the face. Oh sure, it seems obvious now, but you'd be amazed at how many people don't think of it when it's relevant. Seriously, punch them in the face and go get some ice cream.
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It's peculiar what you remember when you're not trying.
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If you don't have a job, you don't have a fear of losing it. You fear having to get one.
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The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
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Football allows the intellectual part of my brain to evolve, but it allows the emotional part to remain unchanged. It has a liberal cerebellum and a reactionary heart. And this is all I want from everything, all the time, always.
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We would sit in the living room, drink a case of Busch beer, and throw the empty cans into the kitchen for no reason whatsoever, beyond the fact that it was the most overtly irresponsible way for any two people to live.
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Mostly, we argued about who which of us was better at arguing, and particularly about who had won the previous argument.
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...I've spent the last fifteen years of my life railing against the game of soccer, an exercise that has been lauded as "the sport of the future" since 1977. Thankfully, that future dystopia has never come.
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Everybody is wrong about everything, just about all the time.
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The message of "The Winner Takes It All" is straightforward: It argues that the concept of relationships ending on mutual terms is an emotional fallacy. One person is inevitably okay and the other is inevitably devastated.
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It's possible for me to imagine a generation of people maybe two generations removed from you who might decide that we have an adversarial relationship with technology.
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The goal of being alive is to figure out what it means to be alive.