Chuck Mangione Quotes
Whether it's string writing or whatever, I try to write for what each instrumentalist can do best.
Quotes to Explore
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Writing 'William Shakespeare's Star Wars' was a fun exercise in mixing just the right amount of the Bard with just the right amount of everyone's favorite galaxy far, far away.
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I love writing journalism because it's all over in two hours and comes straight off the top of the head. Writing novels is soooooo much harder. It's the hardest thing I've ever done.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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I don't talk about Amy Winehouse as a 'singer.' She's a pioneer. I listened to her endlessly when I started writing.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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There are no rules to writing a song.
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I don't think I'd ever make an album of just covers because I love writing my own music.
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There's a rule of writing: if everything is funny, nothing is funny; if everything is sad, nothing is sad. You want that contrast.
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There are three rules for writing a novel. Unfortunately, no one knows what they are.
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I love being a mom. But there's a certain kind of tedium to your life when your kid is young. Writing allows you to wander when your kid is napping in a crib ten feet away. So that's the great joy of writing fiction for me.
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My favorite thing in life is writing about life, specifically the parts of life concerning love. Because, as far as I'm concerned, love is absolutely everything.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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There are few cases in which mere popularity should be considered a proper test of merit; but the case of song-writing is, I think, one of the few.
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After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
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When people come to Twitter and they want to express something in the world, the technology fades away. It's them writing a simple message and them knowing that people are going to see it.
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There aren't a lot of 'Aha!' moments in writing.
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Whenever you're writing something that's reflective, you have to put yourself through some sort of ordeal just to understand the way you're feeling.
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My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
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A man's brain has a more difficult time shifting from thinking to feeling than a women's brain does.
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The hardest thing is that I never do anything the same way twice, and when I'm on the air, I'm very unscripted, and I'm very comfortable in that role. So me being scripted is not a comfortable place for me.
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I've always had this deep and chronic sense of dissatisfaction.
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The idea that comics stores, distributors and publishers simply 'give the customers what they want' is nonsense. What the customers wanted they didn't get - and they left.
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Whether it's string writing or whatever, I try to write for what each instrumentalist can do best.
