Yvette Mimieux Quotes
To give a successful character portrayal on stage or on film, the part has to be played inside of you.

Quotes to Explore
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I am tone deaf.
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I was amazed at how the life of a freelancer differed from running a remote studio for another company. I thought I knew what I was doing in 2004 when I left Eidos because I had run Ion Storm Austin, which was my own independent studio. I had run a business unit inside Origin, but being part of a startup is crazy.
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When I finish a film, I want to forget it. I never like to repeat myself. Maybe, when I am dead, they will find certain consistencies in the style of my films, but I never want one film to look like another.
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I achieved what I want to achieve and I want to continue doing something else.
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Man can never be a woman's equal in the spirit of selfless service with which nature has endowed her.
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I have been blessed to visit the Holy City of Mecca.
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I'm a warrior for the middle class.
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You can't always be in awe of someone's talent, living with them.
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America faces a new race that has awakened.
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Career had a lot to do with 80 percent of my breakups. It's very tough to date a struggling musician. The idea of it is enticing and fun and mysterious. But the reality is long hours and hard work. I have a lot of respect for the women I've dated.
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All the best parts of art come from pain turned to celebration.
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Tech never comes back the same.
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We are long before we are convinced that happiness is never to be found, and each believes it possessed by others, to keep alive the hope of obtaining it for himself.
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Whether it goes to series or stands by itself, I'm proud of what we did with it, not only from the standpoint of what it could have been, but for itself.
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If the sun comes up, I have a chance.
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The amygdala plays a crucial role in processing fear, and minus her two amygdalae, S.M. became unflappable. Studies of her are actually a hoot to read, since they basically consist of scientists concocting ever-more-elaborate ways of trying to scare her.
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When I looked at the skeleton of 'Damn Yankees,' I saw an indestructible story, absolutely original characters, one of the freshest, sassiest American scores of the century, and some outmoded equipment.
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When someone says something that really hurts me, I have to retweet it to let it go.
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I just want to portray a very honest character that displays traits that people can truly relate to and can help them - the audience and myself because I learn from the characters as well - help them see themselves in a perspective that is outside of what they know already, and grow from that experience.
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I had no desire to be a star. I wanted to be a character actress and be able to do all kinds of parts and work on a lot of things. That was my unconscious choice. I wanted to be an undercover actress.
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Our influences are who we are. It's rare that anything is an absolutely pure vision; even Daniel Johnston sounds like the Beatles. And that's the problem with the bands I'm always asked about, the ones derivative of the early Seattle sound. They don't dilute their influences enough.
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As a writer, as a creator, I'm giving you my experiences. But just take what I give you. You ain't got to pry beyond that.
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There are so many new young poets, novelists, and playwrights who are much less politically committed than the former generations. The trend is to be totally concentrated on the literary aesthetic and to consider politics to be something dirty that shouldn't be mixed with an artistic or a literary vocation.
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To give a successful character portrayal on stage or on film, the part has to be played inside of you.