Joe Nichols Quotes
I wanted to make a traditional record that had a lot of art and showed my vulnerable side and showed things I'm passionate about.
Quotes to Explore
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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I was unbelievably lucky.
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For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
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My work has always been the thing that justifies my life.
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I'm tired of malicious articles slandering me.
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I just don't tend to cook eggplant at home.
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In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.
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Nothing I have done professionally will top the feeling I got when singing with John Farnham at the 2000 Olympic Games in Sydney.
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Dance connects us to the musicality of life and to one another. No one should be denied such basic pleasures.
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I think Barack Obama was born into a home not just to a white woman and white grandparents, but a white woman and white grandparents who shockingly told him it was okay that he was black and that he should not be ashamed of it and that he should, in fact, be proud of it.
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It would be curious to discover who it is to whom one writes in a diary. Possibly to some mysterious personification of one's own identity.
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Throughout history, the only way to secure a throne has been with a phalanx of children - nine for Victoria, 13 for George III.
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I enjoy making films, but my heart is in the stage. Every night you have to be on. There's no second take.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I was reading Omar Khayyam, Kahlil Gibran, Rumi, L. Ron Hubbard, all sorts of philosophy. Bebop cats are like that. Curious. I wanted to know about everything.
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I don't think there's any formula for what makes great art.
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New voices in an old art - and women poets have been that for much more than a century - do not diminish the art through the category. They enrich it. They renew it with common quandaries of craft and innovation. The category simply allows the quandaries to be seen more clearly.
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Art is always and everywhere the secret confession, and at the same time the immortal movement of its time.
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I ask myself what is the sound of women? What is the word for that still thing I have hunted inside them for so long? Deep inside the avalanche of joy, the thing deeper in the dark, and deeper still in the bed where we are lost. Deeper, deeper down where a woman's heart is holding its breath, where something very far away in that body is becoming something we don't have a name for.
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I love food and am very good at improvising when preparing it - it's a really creative experience for me.
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I wanted to make a traditional record that had a lot of art and showed my vulnerable side and showed things I'm passionate about.
