Joe Nichols Quotes
I wanted to make a traditional record that had a lot of art and showed my vulnerable side and showed things I'm passionate about.

Quotes to Explore
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There aren't traditions of freedom in a place like Iraq. They're going to have to come to grips with a concept that they hadn't been allowed to conceive before.
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I'm very proud of my Nigerian heritage. I wasn't fortunate enough to be raised in a heavy Nigerian environment, because my parents were always working. My father was with D.C. Cabs and my mother worked in fast food and was a nurse.
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I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles, and sometimes some of them are meatier than others.
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I was unbelievably lucky.
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For anyone who works in front of an audience there is no thrill quite like that of feeling and hearing the evidence of the audience members' enjoyment. Laughter and applause really are powerful.
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My work has always been the thing that justifies my life.
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I'm tired of malicious articles slandering me.
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I just don't tend to cook eggplant at home.
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In 20 years I want to look back and see a collection of crazy characters that I made - a menagerie.
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Nothing I have done professionally will top the feeling I got when singing with John Farnham at the 2000 Olympic Games in Sydney.
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I think Barack Obama was born into a home not just to a white woman and white grandparents, but a white woman and white grandparents who shockingly told him it was okay that he was black and that he should not be ashamed of it and that he should, in fact, be proud of it.
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It would be curious to discover who it is to whom one writes in a diary. Possibly to some mysterious personification of one's own identity.
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Throughout history, the only way to secure a throne has been with a phalanx of children - nine for Victoria, 13 for George III.
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I enjoy making films, but my heart is in the stage. Every night you have to be on. There's no second take.
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What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
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I love auditioning. Since 'The Notebook' and 'Wedding Crashers,' I don't have to audition anymore, and I miss it. You get to show your interpretation of the character. I get nervous when I don't audition. What if they hate what I want to do?
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I was reading Omar Khayyam, Kahlil Gibran, Rumi, L. Ron Hubbard, all sorts of philosophy. Bebop cats are like that. Curious. I wanted to know about everything.
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I don't think of my life as a cliche, but I'm a cliche eccentric. Complete with a strange name - I mean, who's named Val? How many Vals do you know? I mean, really?
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I know a lot of people on the field - players, coaches, managers - are glad that I'm gone.
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Why there are so many great actresses, so few great woman writers? The erotic urge that lies at the bottom of all art has a feminine and a masculine character. Feminine is the urge to be; masculine the urge to do. Interpretative art always has more of the feminine about it
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I took photos from 1976 to when I left in 1993, primarily for Interview and a column I had called "Bob Colacello's Out" which Andy had conceived of. I've never taken a picture since, not even with my phone! It just felt too Andy Warhol to keep going around town taking photographs. And I never really thought of doing anything with them after I left the magazine until this great Art Director Sam Shahid about for or five years ago asked where all of the old photos were.
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When the time comes to raise rates, I do think there will be some benefits that flow through to savers.
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I wanted to make a traditional record that had a lot of art and showed my vulnerable side and showed things I'm passionate about.