Stevie Nicks Quotes
I'm really glad that I'm not Anna because I don't want to be there again. I've been there. But when something does happen to me, whether it's that movie or whether it's actually happened to me, I feel that it's my duty to actually share that with all of you guys. I want to immediately go to my desk and start writing about it.
Quotes to Explore
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Maybe I should pretend like I'm not insecure, but I really am. This movie is going to come out and... will people like it? Will they like Rey?
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I'm not a movie star like other actors in the way that I need to walk with a bodyguard.
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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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That's the joy of making a movie: watching all the elements come together.
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One movie is only one movie. I want to have a lifetime of making films.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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I want to move people, stir something within them that makes them feel. That's what a movie should do and an actor should do, make you feel something. I think that's why people love films so much.
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I feel like the American years were my apprenticeship for doing a Bond movie.
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If I don't direct a movie at some point, I've failed personally.
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Walking down the red carpet, suddenly I felt very special and different. All the flashlights from cameras and requesting voices from the media, the scene, it was just like what I remembered seeing on TV or a movie when I was a little girl - the scene only when movie stars appeared.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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I joined the Madras Christian College but dropped out after three months. Telugu music director Ramesh Naidu asked me to assist him, and I did so for over a year. I did think of rejoining college, but by then, I was discovering the musician in me. I worked with Illaya Raja and Raj Koti and soon shifted to commercials. This led to movie offers.
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
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I think people like to be scared. I think people like tension and suspense in a movie.
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I think the role of the Bond woman has changed so much over the years that it now doesn't follow a typical archetypical view. Before, it was very much a beautiful woman who didn't contribute much and who usually ended up getting killed or was arm candy for Bond. But now the women in a Bond movie have so much more to offer.
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'E.T.' was the movie that made me want to make movies in the first place, and it was the first movie that made me focus on writing instead of what happens in the movie.
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'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, now toddlers, when they are old enough to understand. It's a movie that I cannot forget.
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Every movie I've done, it's always the same criteria: finding a great story, and finding a great part to play.
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I knew I had to get out of Boston and stop making movies there, at least for one movie, otherwise no one would ever consider me for a movie that took place south of Providence.
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Because I am fascinated by people and what makes them behave the way they do. I think it is one of the most fascinating things in the world.
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We remain open to explore options on a voluntary approach built on a realistic outlook for the Greek economy and restoration of Greece's market access.
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I'm really glad that I'm not Anna because I don't want to be there again. I've been there. But when something does happen to me, whether it's that movie or whether it's actually happened to me, I feel that it's my duty to actually share that with all of you guys. I want to immediately go to my desk and start writing about it.
