George Benson Quotes
People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!
Quotes to Explore
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I love the immediacy of an audience being there and reacting. I'm spoiled, having grown up in theater.
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Every guy should be the owner of a really nice pen. When you put your thoughts down, or whenever you're going to share something with someone, it means something if it bleeds out in a nice ink.
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I've always thought that it's good to watch the news to find out what everybody else is looking at and believing, if only because that's how consensus is constructed.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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A lasting architecture has to have roots.
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In fact, the socialization gives us the tools to fill our evolutionary roles. They are our building blocks.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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Our duties and responsibilities as human beings must be shown to be so incontrovertible that even atheists must recognize them. There are ultimate taboos.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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It was in the Papal States that I studied the Roman Question. I traveled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot.
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I like excess. And giant M&M's.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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As a child, I loved story books and wanted to be in them so desperately and live the stories.
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So I felt, well, I'll make the money and, with the money, do what I want to do.
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I was a pop freak. I love music. Of course, I knew soul because I grew up in it. Writing it and everything. I love soul. But I love a tune that has some meat in it. Something I could hang my hat on. Because music is universal. Therefore, I felt no boundaries.
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I don't try to hurt people in any way, and I try to help out wherever I can.
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Only free people have an incentive to be virtuous. Only people who bear the consequences of their own acts will care about those consequences and try to learn from their mistakes.
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For women who turn to welfare, Big Brother becomes Husband.
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We learn by practice. Whether it means to learn to dance by practicing dancing or to learn to live by practicing living, the principles are the same. One becomes in some area an athlete of God.
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Whenever I record more than two or three layers, it starts to get cluttered up, and you can't hear the cut of the guitars as good. It's hard to get four guitars to hit at exactly the same time and keep the attack tight.
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My acting started with musicals in elementary school, so singing is something I've always done, never done professionally - so you're not going to find me on "The Voice" or anything - but it is something that I have a lot of fun doing, and can do well enough to keep up with people in shows.
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I don't want to be a passenger in my own life.
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People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!
