George Benson Quotes
People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!
Quotes to Explore
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I love the immediacy of an audience being there and reacting. I'm spoiled, having grown up in theater.
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Every guy should be the owner of a really nice pen. When you put your thoughts down, or whenever you're going to share something with someone, it means something if it bleeds out in a nice ink.
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I've always thought that it's good to watch the news to find out what everybody else is looking at and believing, if only because that's how consensus is constructed.
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The U.S. should worry about the effects of its polices on the rest of the world. We would like to live in a world where countries take into account the effect of their policies on other countries and do what is right, broadly, rather than what is just right given the circumstances of that country.
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A lasting architecture has to have roots.
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In fact, the socialization gives us the tools to fill our evolutionary roles. They are our building blocks.
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Every character I've ever played, I always try to take him right to the edge and not allow him to fall over, but directors have a tendency to pull me back a little bit.
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Our duties and responsibilities as human beings must be shown to be so incontrovertible that even atheists must recognize them. There are ultimate taboos.
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I played didgeridoo from a young age - on the vacuum cleaner, initially.
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A culture produces ideas which are being explored, which of interest to that culture at that moment. And I think one of the things a writer can do is to take those ideas and go a bit further with them.
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It was in the Papal States that I studied the Roman Question. I traveled over every part of the country; I conversed with men of all opinions, examined things very closely, and collected my information on the spot.
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I like excess. And giant M&M's.
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Y'all have no idea how many times I say, 'Yes, ma'am.'
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As a child, I loved story books and wanted to be in them so desperately and live the stories.
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So I felt, well, I'll make the money and, with the money, do what I want to do.
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I was a pop freak. I love music. Of course, I knew soul because I grew up in it. Writing it and everything. I love soul. But I love a tune that has some meat in it. Something I could hang my hat on. Because music is universal. Therefore, I felt no boundaries.
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I don't try to hurt people in any way, and I try to help out wherever I can.
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Only free people have an incentive to be virtuous. Only people who bear the consequences of their own acts will care about those consequences and try to learn from their mistakes.
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Poetry is plucking at the heartstrings, and making music with them.
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I don't really believe in moral victories. You can have them when you're dealing with public opinion, but in litigation, you want to win the case. I want to win.
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I've never done this from a standpoint of, 'I want to be famous.' I sing because I love singing. I perform because I love performing.
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I'm interested in the lives of Americans for whom the ways this culture has tried to define itself - that is, self-esteem defined by material wealth - they have nothing to do with that.
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There are two types of people, you see. One type keep their heads straight, and look around as they walk. The others look up - at the tops of houses, at the eaves and the lintels and the roofs, which can tell you when they were built - and I've always done that.
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People who love jazz musicians love us when we play what we want to play and we're starving. But as soon as you commercialize your sound like Wes Montgomery did, the jazz fans and the critics are down on you!
