George Benson Quotes
I never gave up on that idea, you know, that jazz musicians have the same opportunity as everybody else and that it's what you put on that record that makes the difference whether you sell it or not or are able to get it into people's households.
Quotes to Explore
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By the time I got to Northwestern University in 1930, I was a football bum more interested in being an All-Star player and signing on with a pro team than going after a newspaper job.
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Thousands of years and many civilizations have defined a marriage as the union between one man and one woman. With few exceptions, those civilizations that did not follow that perished.
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I had to work with a psychiatrist.
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It's no longer a question of staying healthy. It's a question of finding a sickness you like.
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The other actresses, who are called my contemporaries, they started with a megastar. They were superstars overnight and are the same even today.
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All training is negotiation, whether you're training dogs or spouses.
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If you want to do interesting software, you have to have a bunch of people do it, because the amount of software that one person can do isn't that interesting.
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I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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My great-grandchildren will not be able to enjoy the Gulf Coast of Louisiana the way I have.
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No good actor ever stops learning. He is constantly evolving.
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A good composer does not imitate; he steals.
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My mom is incredibly stylish, and she gets it from my grandmother. I feel like I can't live up to how chic they are as women. They are great role models for aging gracefully, and that's a thing that is very key that I try to always emulate.
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It gives me immense pleasure to be trustworthy, faithful, and true – to have the kind of romantic bond that inspires this.
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Many people in this world are still so identified with every thought that arises in their head. There is not the slightest space of awareness there.
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As a developing musician, skiffle became a platform for me to start playing music.
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I'm someone that examines culture and tries to break down why things are the way that they are whether its hip-hop music, sex, race, or consumerism. I try to examine it and scrutinize it to the point where I can write a song.
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Stand before the people you fear and speak your mind - even if your voice shakes.
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My first holiday to San Francisco in 1998-99 was supposed to be a two-week vacation but I ended up staying five weeks and nearly didn't come home.
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As a student of history, I also know civilization's debt to Islam.
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I'm a singer who touches millions of people and my words and my knowledge of what I'm learning from cancer can help millions. And if I can help millions, even if I help one person, that's one person more than none.
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When I was a younger actor, I was pretty much solely motivated by validation. I just wanted to be told I was good and handsome and a part of the gang. It was pretty simple animal-social stuff. I don't care as much about those things anymore.
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I never gave up on that idea, you know, that jazz musicians have the same opportunity as everybody else and that it's what you put on that record that makes the difference whether you sell it or not or are able to get it into people's households.
