DJ Snake Quotes
Quotes to Explore
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I do love being on television and in peoples' homes. I'm not an actor, so there is a connection that's real.
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The way I was raised, family was always the most important. When I had our first daughter, Natasha, I knew that's what I wanted to do.
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The insurgents are Baathists and Sunnis in Iraq who have as their goal a separate and distinct one of toppling the government that is there and creating their own.
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The trains were the beating heart of the New York graffiti scene.
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The civil rights movement wasn't easy for anybody.
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I think I have been very lucky as far as my acting career goes.
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I just consider myself an artist. I don't really rap. I don't really sing. I just do what I feel is good, and people like it.
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Literature at its fullest takes human nature as its theme. That's the kind of writing that interests me.
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If you have to forecast, forecast often.
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Albums are like diaries. You go through phases, technically and emotionally, and they reflect the state that you're in at the time.
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Obviously I'm not 21 anymore, but I think I can still throw with anybody.
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It got so bad that by the time I was graduated, the only reading I did was in order to get the grade and the only writing I did was in order to get the grade.
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You are only as good as the people you dress.
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The one thing you can control is effort.
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I find the aristocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it's different - even uptown it's really grand, and there's no real segregation there. It's all mixed up.
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A lot of my music has ambiguity and room for people to interpret.
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I was born in the technology era.
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It was so strange. I knew that Josephine Baker had performed on the same stage but that night I felt it. Many of the same people who worked with Josephine Baker are still here. They know what they're doing. And that was a very comfortable feeling.
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There will be no politics, no ifs and buts; if we see something and feel that work needs to be done, we will get people here we can rely on and ensure it is done in the same thorough way as our other projects.
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During the late '20s my father left us. My mother was in a complete hole with no money, and we were evicted.
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In my career, I've never been a box office name. Granted, a couple of my movies have made a lot of money, but I'd do other movies which make very little money, or they're not seen that much.
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And never - not in a single case - was the explanation, 'I was pressured to do this.' The explanation was very often, 'The limited data we had led one to reasonably conclude this. I now see that there's another explanation for it.'
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There's no way to explain it. We just got beat up. We're not stop-ping nobody, man. ... And if we can't stop nobody on the defensive end then it's hard to get into any type of running game, easy baskets. Every time they're scoring on us, and we're coming down and playing against a half-court set.
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You don't need money to be creative. The ghetto builds champions every day.
