Cillian Murphy Quotes
Then I wanted the character to be feminine as opposed to effeminate. Because it's easy to be camp or queen. Anyone can do that. What's difficult is to play feminine.
Quotes to Explore
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Edie Sedgwick had a cool style; she pushed the envelope for the time.
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Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
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I am tired of women playing action heroes like men, because they are not men. But sometimes they are written like men.
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I eat lots of vegetables and green juices.
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A book is not an example of 'women's writing' simply because it is written by a woman. Writing may become 'women's writing' when it could not have been written by a man.
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My mother was a very beautiful lady, I thought. She was very good to me. I guess - she died when I was nine and a half, but if she had lived, I probably wouldn't be trying to play guitar. She wanted me to be known, but as something else. Not a guitar player.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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Necessity makes even the timid brave.
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Of all Iraq's rocket scientists, none drew warier scrutiny abroad than Modher Sadeq-Saba Tamimi.
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People are wired for lots of things. We're wired for novelty. We're wired for humor. We're wired for new pieces of information that surprise us in some way or add value to our lives. We're wired for fear.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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When the whole world is silent, even one voice becomes powerful.
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I'd been touring for so long, seven years. For a year and a half I'd just been curious about what it was like not to tour. It's like if you were to lift a 100-pound barbell with your right arm for seven years, eventually you'd get really curious about what your left arm was capable of.
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My characters hope for better lives.
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In falling over in heels while trying to look attractive, you don't just hurt your body, you bear the humiliation of injuring your very soul. Physical pain? Whatever, bring it on. But the humiliation? Oh, you have seen to the very weakest part of me.
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I'm not the girl next door.
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When Liza Minelli was a child, she used to sit on my lap and call me Uncle Sammy.
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With all of their benefits, and there are many, one of the things I regret about e-books is that they have taken away the necessity of trawling foreign bookshops or the shelves of holiday houses to find something to read. I've come across gems and stinkers that way, and both can be fun.
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Writing for children hadn't occurred to me when I was younger, but nine years of teaching in the upper elementary grades had given me a deep appreciation of the gifts and graces that are specific to individuals with 10 or 11 years of experience as human beings.
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You see why we play so many crazy ladies. We have to be crazy to start with.
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We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.
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A man's character is the reality of himself; his reputation, the opinion others have formed about him; character resides in him, reputation in other people; that is the substance, this is the shadow.
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It's interesting when you're trying to create a character in animation. It's really a communal effort.
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Then I wanted the character to be feminine as opposed to effeminate. Because it's easy to be camp or queen. Anyone can do that. What's difficult is to play feminine.
