Clare Balding Quotes
Quotes to Explore
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I think Dilbert is actually a radical strip.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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By the time I was 29 I'd spent eight years with someone else's group of friends. I had no idea what it was like to be a woman with mates of her own to socialize with.
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I loved math and science. It just made sense to me. But my hatred for world history has come to bite me in the butt in my adult years. Every show I have done professionally has required me to study the world in which my characters lived.
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I've always liked working really hard and then doing nothing in particular. So, consequently, I didn't overexpose myself; I guess I maintained a kind of mystery. I wasn't ambitious.
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I have always had a sense of curiosity and aspiration.
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In an expanding universe, time is on the side of the outcast. Those who once inhabited the suburbs of human contempt find that without changing their address they eventually live in the metropolis.
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The trade magazine and all was banned in my house. The first time I read a film magazine was when I was 18.
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As a model, I really stand for not being a model, if that makes sense. When I started, the whole idea of the model was very different; it was a bit stuck-up. Not stuck-up, but no one was trying to have fun, or not even have fun, but be willing to smile.
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Suspicion and doubt lead to animosity and hatred.
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It seems that fighting is a game where everybody is the loser.
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On the one hand, the rich look askance at our continuing poverty - on the other, they warn us against their own methods.
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We are not saints, but we have kept our appointment. How many people can boast as much?
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When hypocrisy is a character trait, it also affects one's thinking, because it consists in the negation of all the aspects of reality that one finds disagreeable, irrational or repugnant.
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I do think a carpenter needs a good hammer to bang in the nail.
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There are so many elements that make a good film. You need a great director who's driving it.
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A resilient culture has a certain amount of resistance embedded in it. Not so much to capsize it, but enough so that it doesn't atrophy.
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You have to deal with the fashion egos. You know, there is a lot. It shouldn't be treated that seriously because fashion is only making dresses to make women look beautiful. We're not inventing anything new.
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In Hollywood, moviemaking used to be about escaping reality to go to the movies.
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When I want to push myself and do intense workouts, I do that, but I'm not going to do it because anybody thinks I should look a certain way. It's really more about how I feel and about being healthy.
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When I was younger I got bullied about the way I looked and I thought once I was older it would stop. I hated going to school, but didn't know who to talk to about it. It knocked my confidence a lot.
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And it was out in the theaters in two weeks. This is not, 'We're going to develop twenty-five and maybe one's going to get made,' so the first three things I wrote got up on the screen and, good, bad or indifferent, I got to see them on their feet.
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I felt like a misfit at school, and I think that's quite common.
