Clarence Clemons (The Big Man) Quotes
Quotes to Explore
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In any art, you don't know in advance what you want to say - it's revealed to you as you say it. That's the difference between art and illustration.
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Honestly speaking, I don't like my films. When I watch them, I see a lot of scope for improvement, so if I were to see any of my films, like 'Dhoom,' I might say... 'It would have been better if...' or 'had it been...' and this is all about evolving.
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I always start the day by washing my face and moisturizing.
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I loved the glamour and excitement of the games and, in particular, knowing the names of each and every one of the referees - that's because my mom, a former basketball player, would yell at them from our front-row seats for making bad calls!
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For me, being an actress, my responsibility is not to pay attention to all the noise around me and to pay attention to the script and the director and protect the character and try to tell her story the best I can.
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I was obsessed with the idea of going to college. And I took many years off after that, so I sort of missed the weird, crazy transition that was what making movies was in the nineties to what's happening now.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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Left the ranch in 1883, went to California, going through the States and territories, reached Ogden the latter part of 1883, and San Francisco in 1884.
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Courage is found in unlikely places.
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When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
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I'm a weekday warrior who takes our Georgia values to Washington, and on the weekends, I'm back home.
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With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
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I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
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I'm not a universalist, and the way I talk about final loss is this: People worship idols - money, whatever. Their humanness gets reshaped around the idol - you become like what you worship. That's one of the basic spiritual laws.
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To me, a cat is an easy pet, they don't need any spoiling or looking after.
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Most of the most important experiences that truly educate cannot be arranged ahead of time with any precision.
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We asked Jane Fonda if she would like to meet American pilots in Hanoi, but she refused, she didn't want to.
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Any econometrician who wants to see practical application of his science will be highly concerned with applications to economic planning at the national level.
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Issues relating to global health and sustainability must stay high on the agenda if we are to cope with an ageing and ever-increasing population, with growing pressure on resources, and with rising global temperatures. The risks and dangers need to be assessed and then confronted.
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The phrase 'teen hottie' literally makes me want to throw up. I'm a pop princess at heart. Pop is about distilling what you want to say and making it easy. And the way I write isn't about making things easy. It's a weird juxtaposition.
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Arts and the Sciences are a natural symbiosis. They stem from the same human existential impulse - exploration. Exploration of what lies beneath the surface, and re-confuguration of elements of what we call reality.
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That's a gift from God. I'm there to pitch.
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God will give you no more than you can handle.
