Clarence Clemons (The Big Man) Quotes
Quotes to Explore
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In any art, you don't know in advance what you want to say - it's revealed to you as you say it. That's the difference between art and illustration.
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Honestly speaking, I don't like my films. When I watch them, I see a lot of scope for improvement, so if I were to see any of my films, like 'Dhoom,' I might say... 'It would have been better if...' or 'had it been...' and this is all about evolving.
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I always start the day by washing my face and moisturizing.
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I loved the glamour and excitement of the games and, in particular, knowing the names of each and every one of the referees - that's because my mom, a former basketball player, would yell at them from our front-row seats for making bad calls!
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For me, being an actress, my responsibility is not to pay attention to all the noise around me and to pay attention to the script and the director and protect the character and try to tell her story the best I can.
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I was obsessed with the idea of going to college. And I took many years off after that, so I sort of missed the weird, crazy transition that was what making movies was in the nineties to what's happening now.
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The idea of going on tour for the rest of my life with old works is not that exciting. As an artist I definitely think the work in future is going to be better than the work in the past, otherwise why do it?
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Left the ranch in 1883, went to California, going through the States and territories, reached Ogden the latter part of 1883, and San Francisco in 1884.
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Courage is found in unlikely places.
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When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
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I'm a weekday warrior who takes our Georgia values to Washington, and on the weekends, I'm back home.
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With every film, I try and give the audiences a little more than the previous film in terms of comedy, action, drama and so on.
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I developed in my head that I'm never any better than my last concert or the last time I played, so it's like an audition each time. You get nervous just before going onstage. I still have that, but I think it's more like concern. You're concerned about the people - like meeting your in-laws for the first time.
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I'm not a universalist, and the way I talk about final loss is this: People worship idols - money, whatever. Their humanness gets reshaped around the idol - you become like what you worship. That's one of the basic spiritual laws.
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To me, a cat is an easy pet, they don't need any spoiling or looking after.
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Most of the most important experiences that truly educate cannot be arranged ahead of time with any precision.
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We asked Jane Fonda if she would like to meet American pilots in Hanoi, but she refused, she didn't want to.
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Any econometrician who wants to see practical application of his science will be highly concerned with applications to economic planning at the national level.
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All the men in my family were bearded, and most of the women.
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I've learned a lot about myself. Most of it is all right. When I add up the pluses and subtract the minuses, I still come out pretty well.
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Speech to the Budget Commission of the Prussian Diet (30 September 1862), published in Fürst Bismarck als Redner, Vol. 2 (after 1881), edited by Wilhelm Böhm, p. 12); after some objections to his initial speech Bismarck returned to the podium and declared:
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It seems to me that the idea of a personal God is an anthropological concept which I cannot take seriously. I feel also not able to imagine some will or goal outside the human sphere. My views are near those of Spinoza: admiration for the beauty of and belief in the logical simplicity of the order which we can grasp humbly and only imperfectly. I believe that we have to content ourselves with our imperfect knowledge and understanding and treat values and moral obligations as a purely human problem-the most important of all human problems.
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God will give you no more than you can handle.
