Clarice Taylor Quotes
I certainly know about the oppression and prejudices of being black and a woman and from the South.
Quotes to Explore
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Individual science fiction stories may seem as trivial as ever to the blinder critics and philosophers of today - but the core of science fiction, its essence has become crucial to our salvation if we are to be saved at all.
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That's what I love about our music - it'll never be a hit because you can't dance to it.
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As a member of the audience I don't like it that I can't see what's going on in the eyes and in the face and in the most subtle responses of a performer when I'm more than a few rows back. I find it very frustrating.
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For someone who writes fiction, in order to activate the imagination and the unconscious, it's essential to be free.
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I don't think people really understood what I did. And you know, in my book, 'A Helluva High Note' deals with my back story, that I was a songwriter, that I spent years trying to hone my craft and being rejected and then finally becoming a successful songwriter, record executive and publisher.
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In 1980, shortly before my 11th birthday, I wrote my first essay in English.
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By the usual reckoning, the worst books make the best films.
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I love work where I can find out more about the world and its history.
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The poet exposes himself to the risk. All that has been said about poetry, all that he has learned about poetry, is only a partial assurance.
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The main reason I backed DeepMind was strategic: I see my role as bridging the AI research and AI safety communities.
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I went from a player who was never fit to a person who actually worked hard to get myself in shape.
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Survival requires us to leave our prejudices at home. It's about doing whatever it takes - and ultimately those with the biggest heart will win.
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Politics was my third act. But I could have a fourth. I don't know what that will be yet, but there will be one.
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I don't have time for easy. Tennis is just hard.
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Intuition and concepts constitute... the elements of all our knowledge, so that neither concepts without an intuition in some way corresponding to them, nor intuition without concepts, can yield knowledge.
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I didn't know I wanted to do films until I started to do them. Very few films are made in Mexico and film-making belonged to a very specific group, a clique.
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We must be our own before we can be another's.
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When I got to New York City when I was 18, I started playing in clubs in Brooklyn - I have good friends and devoted fans on the underground scene, but we were playing for each other at that point - and that was it.
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You always want to be part of something you're so passionate about.
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I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
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Part-black generally means all-black in Americans' minds. Just as part-Asian or part-Hispanic or part-anything-else usually puts individuals in those minority-groups' camps.
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We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
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It's time for me to do things I like so I will be happy, my wife will be happy, my friends will be happy. I just want to do something I'm proud of. It's time for me to change. I could sign with a company for 10 movies and I'm the king of video and so what?
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I certainly know about the oppression and prejudices of being black and a woman and from the South.
