Claudia Schiffer Quotes
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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Imagination will often carry us to worlds that never were. But without it we go nowhere.
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Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.
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I like to write with a lot of emotion and a lot of power. Sometimes I overdo it; sometimes my prose is a little bit too purple, and I know that.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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It is ingrained in all living creatures, first of all, to preserve their own safety, to guard against what is harmful, to strive for what is advantageous.
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I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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The power chords in 'Come Sail Away' were super heavy to me as a kid. Metal? No. Hard rock? At times, for sure.
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The brunette phase just came about because I was fed up with this 'Blonde Angel Image'. The rebel in me demanded a new color.
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My normal life is like being on holiday.
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If my wife was to say, 'Honey, I'd like you to go to PSG', I would have to take it into account.
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Most men say they can cook pasta, but I think you should find a little bit of an unusual angle on your pasta and make that your signature dish.
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I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday.
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Dolomite is a whole mess of stuff, a mixture. It gets characterised as 'a stuff' because of the interest of oil geologists. It would have been a nonentity were it not for its applications.
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I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
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I never felt like I had a mother.
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When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
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No crime lab in the world looks like the 'CSI' ones because there's simply not the money for all those fancy machines.
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There are too many senior citizens and good residents in Chicago who are sick and tired of having to walk several blocks out of their way when they leave their homes just to avoid the gangs and drug dealers on the street corner.
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There's always so much more that can be conveyed on screen visually in the expressions of people's faces, in their bodies, in their body language. And also with sound design, with music.
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I think ultimately I make people happy: Whether I'm doing the stage show, giving somebody a makeover, or designing clothing, the end goal is to make people smile.
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Costume design is so important and really helpful, and I really love that aspect of character development, just figuring it out.
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I design for myself and the first question I ask is, 'Would I wear it?'
