Claudia Schiffer Quotes
Quotes to Explore
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I was publishing when I was 20, 21. And it really never stopped.
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Imagination will often carry us to worlds that never were. But without it we go nowhere.
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Given that external reality is a fiction, the writer's role is almost superfluous. He does not need to invent the fiction because it is already there.
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I like to write with a lot of emotion and a lot of power. Sometimes I overdo it; sometimes my prose is a little bit too purple, and I know that.
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One of the things I had to learn as a writer was to trust the act of writing. To put myself in the position of writing to find out what I was writing.
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It is ingrained in all living creatures, first of all, to preserve their own safety, to guard against what is harmful, to strive for what is advantageous.
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I'm fortunate to be famous for two rather imposing characters like Magneto and Gandalf.
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I hate to repeat lines, to say the same damned thing. I try to rewrite cliches and make what I say sound fresh.
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The power chords in 'Come Sail Away' were super heavy to me as a kid. Metal? No. Hard rock? At times, for sure.
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The brunette phase just came about because I was fed up with this 'Blonde Angel Image'. The rebel in me demanded a new color.
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My normal life is like being on holiday.
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If my wife was to say, 'Honey, I'd like you to go to PSG', I would have to take it into account.
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Most men say they can cook pasta, but I think you should find a little bit of an unusual angle on your pasta and make that your signature dish.
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I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday.
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Dolomite is a whole mess of stuff, a mixture. It gets characterised as 'a stuff' because of the interest of oil geologists. It would have been a nonentity were it not for its applications.
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I sort of understood that when I first started: that you shouldn't repeat a success. Very often you're going to, and maybe the first time you do, it works. And you love it. But then you're trapped.
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I never felt like I had a mother.
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When I did '1,2,3,4' on 'Sesame Street' they'd rewritten the song and made it about counting. At first, I balked. I was like, 'Counting to four? That's where we're going with this?' Then they sent me appearances by other people like James Blunt doing 'You're Beautiful' as 'My Triangle.'
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I spent a good part of the nineties roaming the Earth writing about conflict. It was very grueling. I was beginning to find this way of life was, wow, addictive and deeply meaningful.
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The one thing about art is you can't question it. Everyone is looking at everyone else to find out what's cool. No one knows what's cool.
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A friend of mine, a Hispanic entrepreneur asked me a question sometime ago, he said, 'When is the last time you saw a Hispanic panhandler?' I think it's a great question. I'll tell you, in my life I've never once have seen a Hispanic panhandler, because in our community, it would be viewed as shameful to be out on the street begging.
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I'm a wuss - a complete wuss!
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People need a consistent explanation of the cross of Christ and what it accomplished. Christ's atoning work is the centerpiece of the gospel and the only solution for humanity's estrangement from our Creator.
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I design for myself and the first question I ask is, 'Would I wear it?'
