Cliff Martinez Quotes
I think there is quite a continuity over my 25 years of doing music, and I'm always trying to break away from it.
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
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I was influenced when I was younger by the cartoon movies that Disney put out, like Cinderella and what not. I watched those movies over and over when I was younger and the music is ingrained into my head. Nowadays, I'm still humming the tunes. It taught me the fundamentals.
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I started to write a lot of ballads that were sultry and had a Norah Jones-for-country kind of feel. I wanted to bring elements of old soul music and old country music.
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When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.
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I'm not happy if I'm not making music; it's as simple as that. It's a need.
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My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
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If architecture is frozen music then music must be liquid architecture.
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I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
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She was a handsome woman of forty-five and would remain so for many years.
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It's a crazy world, so sports and athletics and music can be a form of escapism.
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To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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I became a co-chair of the Congressional Study Group from Germany several years ago with the expressed purpose of helping increase aid to Holocaust survivors.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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When I write notes in my journal, I'm just trying to scribble down as much as possible. Later on, I decide whether to follow some of those first impressions or whether to abandon them.
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Yellow's more like, I'm not trying to be this sexy vixen or anything, obviously. I'm a very friendly person, and I literally do just want to be your friend. I think all of that is wrapped up in yellow. It seems to work. I like being in it.
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The hardest thing about writing my second album is that I had 20 years to write my first album.
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My influences are Alice in Chains and Elton John.
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I like to say I believe in ghosts so I don't get haunted by one.
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An almost perfect relationship with his father was the earthly root of all his wisdom. From his own father, he said, he first learned that Fatherhood must be at the core of the universe. [speaking of George MacDonald]
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'Snowpiercer' was out of this world. It gave me a chance to do something I'd never done before, to create a whole new world.
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Less is a bore.
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I think there is quite a continuity over my 25 years of doing music, and I'm always trying to break away from it.
