Clifton Fadiman Quotes
When you re-read a classic you do not see in the book more than you did before. You see more in you than there was before.
Quotes to Explore
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Comfort and luxury are usually the chief requirements of life for your ego - its top priorities tend to be accumulations, achievements, and the approval of others.
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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One of the things I wonder is whether it's good that the whole free model makes a lot of people listen to more of your music. I'm wondering if it devalues it, it becomes disposable, because you can get it so easily.
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Because the nights bring the threat of invasion and terror to the villages, thousands of children in northern Uganda have become night commuters, leaving the nightmare of capture behind for the safety of the city.
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This is the beauty of fiction. We may not like these characters, but we inhabit them.
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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.
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I just take it one day at a time. Austin Powers has given me a lot of opportunities as far as my career.
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I looked along the San Juan Islands and the coast of California, but I couldn't find the palette of green, granite, and dark blue that you can only find in Maine.
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I love the way girls in London dress; it's so different to the American 'blow-dry and immaculate grooming' thing.
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Dance has always been my number one. I started when I was seven years old and I've had the opportunity to work with some really amazing artists.
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I don't wanna sound pretentious talking about myself.
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Science may be described as the art of systematic over-simplification.
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One of my biggest drawbacks is my inability to maintain my physique. I put on weight for 'Soodhu Kavvum' and never managed to shed it. Luckily, that look suited a few films, including 'Orange Mittai.'
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I've always just talked to my family and my friends. I've never been a person that's gone through excessive therapy at all. Some people might say that I should.
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Character is like a tree and reputation like a shadow. The shadow is what we think of it; the tree is the real thing.
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To be able to take my pictures, I have to look, all the time, at the people and places I care about.
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When I'm depressed, I definitely comfort eat, but I also eat when I'm happy. The only time I don't eat is if I am terribly nervous.
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I don't want to be known as the guy who always takes his shirt off... I've done a lot of photo shoots lately for the press coming up with 'Immortals' and 'Breaking Dawn,' and every photographer wants to get the topless shot. We've really had to be choosy and not do that for every magazine. I've actually been trying to keep my clothes on more.
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In plotting a book, my goal is to raise the stakes for the characters and, in so doing, keep the reader mesmerized.
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The main challenge that television presents is that I have a tendency to say things with a great deal of precision and accuracy. Often a description of that sort, which will work in a book because people can read it slowly - they can turn the pages back and so on - doesn't really work on TV because it interrupts the flow of the moving image.
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The great American food writer M. F. K. Fisher once wrote an essay called 'The Anatomy of a Recipe.' To have a good anatomy, in her view, a recipe should have a sense of logical progression. She despaired of recipes with 'anatomical faults,' where the reader is told to make a cake batter and only then to grease the loaf pans.
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I learned not to care what other people think.
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When you re-read a classic you do not see in the book more than you did before. You see more in you than there was before.
