Clinton Sparks Quotes
Common would come to my house and give me a freestyle verse. I'd make a new beat for it and put it with something else. That's how I met Eminem - he came to my house back when he first started. He gave me a bunch of freestyles, and that's how we built a relationship. Everyone came to my house.
Quotes to Explore
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The author may not interpret. But he must tell why and how he wrote his book.
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I believe in the Prince of Peace. I believe that War is Murder. I believe that armies and navies are at bottom the tinsel and braggadocio of oppression and wrong, and I believe that the wicked conquest of weaker and darker nations by nations whiter and stronger but foreshadows the death of that strength.
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I know what my comfort zones are. But without a back-up, I will never step out of my comfort zone. I don't go bungee jumping; I won't jump from the third floor without a safety net. I don't do such things. That's not my personality type.
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How can you tell your kid, 'You can be anything you want to be,' if you're not trying to do the same?
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I once tried standing up on my toes to see far out in the distance, but I found that I could see much farther by climbing to a high place.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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I came to acting in a very circuitous way.
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Hope is the most important four-letter word in the language.
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If I were to work with my mom, I probably would not want her to play my mom. That would get too real.
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It's become a habit to make films where the father is absent. My father impresses me, but the father figure does not.
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I'm a warrior for the middle class.
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I wrote The Green Eye of the Little Yellow God in five hours, but I had it all planned out. It isn't poetry and it does not pretend to be, but it does what it sets out to do.
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What makes us Americans is our shared commitment to an ideal - that all of us are created equal, and all of us have the chance to make of our lives what we will.
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The only decent daily paper of record in France is the online 'Mediapart,' which exposes graft and corruption in high places and is feared by the establishment.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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Whenever I read a script, I start recasting the role that I might play. I'm like, 'God, this should be played by Domhnall Gleeson, not me.'
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At the Oscars, if you didn't vote for '12 Years a Slave,' you were a racist. You have to be very careful about what you say. I do have particular views and opinions that most of this town doesn't share, but it's not like I'm a fascist or a racist. There's nothing like that in my history.
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The Bible shows the way to go to heaven, not the way the heavens go.
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In 1972, I recorded Gumbo, an album that was both a tribute to and my interpretation of the music I had grown up with in New Orleans in the 1940s and 1950s. I tried to keep a lot of the little changes that were characteristic of New Orleans, while working my own funknology on piano and guitar.
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Once at the White House I was asked to conduct the Drum and Bugle Corp. The man just handed me the baton and I finished the song. It was great. I got to keep the baton.
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My advice to the tea party freshmen: Slow the galloping horses to a trot. Big government was built over decades; it can't be dismantled in a year, especially when Democrats control the White House.
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I get the lyrics of a tune and interpret them my way.
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Common would come to my house and give me a freestyle verse. I'd make a new beat for it and put it with something else. That's how I met Eminem - he came to my house back when he first started. He gave me a bunch of freestyles, and that's how we built a relationship. Everyone came to my house.
