Clive Cussler Quotes
Quotes to Explore
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We are asleep with compasses in our hands.
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No decent career was ever founded on a public.
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I'm very open-minded.
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And for the few that only lend their ear, That few is all the world.
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The laws of the marketplace are physical laws, and they don't become suspended in a crisis any more than the law of gravity does.
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I started saying things in church that didn't meet with a lot of approval - like 'Jesus isn't coming back.' They started throwing Bibles.
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I have only one real hobby - my husband.
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In India, we say one thing, and we do something else.
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For a quarter of a century, I've been playing baseball for pay. It has been pretty good pay, most of the time. The work has been hard, but what of it? It's been risky. I've broken both my legs. I've sprained everything I've got between my ankles and my disposition. I've dislocated my joints and fractured my pride.
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The anorexic is out to prove how little she needs, how little she can survive on; she is out, in a sense, to discredit her nurturers, while at the same time making a public crisis out of her need for nurture. Such vulnerability and such power: it brings the whole female machinery to a halt.
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Old things are always in good repute, present things in disfavor.
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The whole 'studly womaniser' thing, I mean, I quite enjoy the title - it's just not very accurate.
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Every picture has been a learning opportunity for me.
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My family lived in Egypt from 1993 to 1996.
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I was in Asia and people asked me about being considered sex symbol. I don't know if that's good or not, because where I come from, sex isn't something you're allowed to talk about.
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It is the destiny of mint to be crushed.
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I love eyebrows, so brow pencils and brow shadow are really important to me.
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I’ve been thinking about the war a lot recently, and I think I’ve decided it’s wrong. We are defeating ourselves in waging it, will destroy ourselves by winning it.
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I've been missing Japanese literature so much of late.
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I've translated a lot of American literature into Japanese, and I think that what makes a good translator is, above all, a feel for language and also a great affection for the work you're translating. If one of those elements is missing the translation won't be worth much.
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I have a daughter and a family.
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For me, my 'X' replaced the white slave master name of 'Little' which some blue-eyed devil named Little had imposed on my parental forebears.
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We're talking about the struggle to drag a thought over from the mush of the unconscious into some kind of grammar, syntax, human sense; every attempt means starting over with language. Starting over with accuracy.
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I'm always interested in something that's missing.
