Coco Lee Quotes
My mom was very strict when I was growing up. I could not talk to boys until I was 18. I had to study and work hard.
Quotes to Explore
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A few weeks after my mom passed in November of 2013, I came back from an injury and entered the Egg Bowl in the second half against Ole Miss. I'll never forget the feeling when I walked back out on the field. As I walked into the Egg Bowl, the crowd stood up and clapped like they were enveloping me in a giant hug.
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I'm always trying to find 'connections' between things. That art is the juxtaposition of a lot of things that seem unrelated but add up to something recognizable.
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I've been lucky enough to work in pop culture, especially with people right before they popped.
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I've been fortunate to work with partners like Weinstein and John and Art Linson in developing 'Yellowstone' and am grateful that it has found a home in the Paramount Network. The show is both timely and timeless.
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It's great, I guess, when your paintings are hanging up in a museum.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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When nature has work to be done, she creates a genius to do it.
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I don't believe in sharing my money. If I go out and work my nuts off and make some money, I don't feel that I should have to share it with my community.
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I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
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Writers always have confidence issues - it comes with the territory. We never know where we fit in, or what the actual value of our work might be. So we hit lulls, or slogs. Throw in the idea that many creative people are somewhat manic-depressive, and it can get pretty dark at times.
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I always say that I'm an artist who works with pictures and words, so I think that the different aspects of my activity, whether it's writing criticism, or doing visual work that incorporates writing, or teaching, or curating, is all of a single cloth, and I don't make any separation in terms of those practices.
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It might be said that it is the ideal of the employer to have production without employees and the ideal of the employee is to have income without work.
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I grew up watching my mom and dad selling rooms in our motels. We had CEOs coming to our house so that my dad could persuade them to have their executives stay in Hyatt hotels.
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I had a job since I was old enough to work - since I was, like, 14.
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A holiday is when you celebrate something that's all finished up, that happened a long time ago and now there's nothing left to celebrate but the dead.
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As governor, I will always be willing to work with people who have ideas to offer and are ready to roll up their sleeves. That kind of teamwork will build a New Hampshire that will lead the nation and compete with the world. Together, we will help our businesses grow and build a stronger economy on a vision of innovation and growth.
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I grew up being terrified of my parents, particularly my father figures.
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The average American worker has fifty interruptions a day, of which seventy percent have nothing to do with work.
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No, I don't make my work in order to challenge or confuse other people's expectations - I only do what I find natural.
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I love kids, outings, camping, sports, Legoland, all the Daddy stuff. I love it. I wish I could just do that, but I have to work, too.
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I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family – poor, in fact.
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Sometimes, if I allow time to be creative, it doesn't show up.
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I've never liked watching real-life couples play couples onscreen or onstage. It takes me out of the story.
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My mom was very strict when I was growing up. I could not talk to boys until I was 18. I had to study and work hard.
