Coco Rocha Quotes
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Oftentimes, my career as a model is based around glamour or creating a fantasy world. That in itself is not a bad thing, as I think art and inspiration has its place in society.
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I would have loved to meet David Bowie.
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I hate when people say, 'Well, this is unfair for the underdog.' Well, the underdog should try harder.
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When someone tells me that I'm not real, I say to them, 'Well, what about me isn't real?' I have not changed my figure. This is who I am.
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If you are a new, upcoming designer, you've got to think of new, cool ways to make the industry look at you. Don't just get stuck in a rut, show your clothes, and be like, 'You should like this.'
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A lot of people might think the job of a model isn't necessary anymore, but just like an actor, singer - how they make you feel a certain way - how watching a dancer gives you emotion, models can do the exact same thing to many different people.
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As a high-fashion model, I have long had a policy of no nudity or partial nudity in my photo shoots.
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If you're posting pictures to platforms like Instagram or Twitter, be selective about the one you post. If I'm capturing a sunset, I'll take at least 10 pictures. I'll then filter them using other apps, enhance them. Then, I really pick the best image of perhaps 30.
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I was once dressed as a mermaid for a Jean Paul Gaultier show. My legs were bound into a fish tail, so I had to come down the runway on crutches. Halfway down, I was supposed to unzip the fish tail to reveal my legs, but the zipper broke, so I ended up stabbing my fake nail through the fabric of the zipper and ripping my way out.
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In the beginning, the clients would say, 'This is too much,' but over time, the ones I liked kept working with me. They'd say, 'It's not too much. Coco can still be Coco. She still gives 100 percent when she's on a photo shoot.'
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I'm not fussy.
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I'm kind of getting over the whole Manhattan life. I'm from Vancouver, and that means mountains and a lot of space.
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Having worked with many of the world's top modeling agencies for the last decade, I've seen what works and doesn't work in managing a model's career.
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I've always thought of modeling as a performance, so I don't mind kind of pretending. I kind of pretend in a lot of my poses that I am a ballerina or a hip-hop dancer or a grunge performer.
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Previously, someone would interview me, and if they liked me, it'd be a great story. If they hated me, it'd be a horrible story. I had no way to say anything. Social media changed things for people who didn't have a voice.
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I was the first model to get a blog and talk about anything in modeling.
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Designers from Milan think that 'more is more,' like Cavalli and Dolce & Gabbana.
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I don't think it's fair for people to put fellow beings down just because they're only known for their looks.
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Something I always look for in an outfit is to have a standout piece.
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My wedding dress is a piece of art that I'll treasure forever. It was designed and created by Zac Posen. I gave him only the tiniest bit of direction when he started, and the end product was more beautiful than anything I could have imagined.
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One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'
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I think it's important to wear clothing that means something to you, and so I always try to make sure I'm wearing at least one item that has a personal meaning to me.
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When you wear something different, you have to be confident that not everyone may get it at first.
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Don't get me wrong: 'America's Next Top Model' is fantastic. They've done 20 seasons, so they've obviously done something right. But I think what ensures that the winner of 'The Face' will become a working model is the prize - a year-long contract with a cosmetics company is huge.