Coco Rocha Quotes
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Oftentimes, my career as a model is based around glamour or creating a fantasy world. That in itself is not a bad thing, as I think art and inspiration has its place in society.
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I would have loved to meet David Bowie.
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A lot of people might think the job of a model isn't necessary anymore, but just like an actor, singer - how they make you feel a certain way - how watching a dancer gives you emotion, models can do the exact same thing to many different people.
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I hate when people say, 'Well, this is unfair for the underdog.' Well, the underdog should try harder.
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When someone tells me that I'm not real, I say to them, 'Well, what about me isn't real?' I have not changed my figure. This is who I am.
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If you're posting pictures to platforms like Instagram or Twitter, be selective about the one you post. If I'm capturing a sunset, I'll take at least 10 pictures. I'll then filter them using other apps, enhance them. Then, I really pick the best image of perhaps 30.
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Previously, someone would interview me, and if they liked me, it'd be a great story. If they hated me, it'd be a horrible story. I had no way to say anything. Social media changed things for people who didn't have a voice.
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People who rooted for me and were impactful in my career knew everything about me. They knew my goals, my likes, my dislikes, what I wanted out of my career.
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I was once dressed as a mermaid for a Jean Paul Gaultier show. My legs were bound into a fish tail, so I had to come down the runway on crutches. Halfway down, I was supposed to unzip the fish tail to reveal my legs, but the zipper broke, so I ended up stabbing my fake nail through the fabric of the zipper and ripping my way out.
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I don't think it's fair for people to put fellow beings down just because they're only known for their looks.
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Having worked with many of the world's top modeling agencies for the last decade, I've seen what works and doesn't work in managing a model's career.
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As a high-fashion model, I have long had a policy of no nudity or partial nudity in my photo shoots.
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In the beginning, the clients would say, 'This is too much,' but over time, the ones I liked kept working with me. They'd say, 'It's not too much. Coco can still be Coco. She still gives 100 percent when she's on a photo shoot.'
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I've always been the kind of girl that takes every day as it comes.
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Everybody knows that, in general, a basketball player needs to be tall and a fashion model needs to be skinny, but how skinny is too skinny?
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If you are a new, upcoming designer, you've got to think of new, cool ways to make the industry look at you. Don't just get stuck in a rut, show your clothes, and be like, 'You should like this.'
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I've always thought of modeling as a performance, so I don't mind kind of pretending. I kind of pretend in a lot of my poses that I am a ballerina or a hip-hop dancer or a grunge performer.
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My wedding dress is a piece of art that I'll treasure forever. It was designed and created by Zac Posen. I gave him only the tiniest bit of direction when he started, and the end product was more beautiful than anything I could have imagined.
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My faith is everything.
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I'm kind of getting over the whole Manhattan life. I'm from Vancouver, and that means mountains and a lot of space.
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My mom's half-Irish, and my dad's half-Irish. We don't know much about my mom's side, but my dad's mom came from Belfast and married my grandfather, who was from Wales.
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We have to come into this industry so young, and you have to learn to take it as it is. I was scouted at 14, started modelling at 15, and lived in New York at 16.
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Girls are told they're not skinny enough, or they hear, 'She's old. She's boring. We've had her. She's not tiny anymore.' A lot of people don't take into account the vulnerability of these young girls.
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I'm not fussy.