Kelly Asbury Quotes
Star-crossed lovers who have a destiny that isn't necessarily going to work in their favor - that's a universal story; that's an archetypal story.
Quotes to Explore
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We as the Afghan people and government are willing to help Pakistan work for peace in Afghanistan and work for peace in Pakistan, together.
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Strange things blow in through my window on the wings of the night wind and I don't worry about my destiny.
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I think I'd say that my whole body of work is a reflection of who I am, but not any one specific thing.
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Since I was a child, I have had this feeling that the most important work I'd do would be with my family.
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I would say 'The Master' was one of the most inspiring things I've ever got to work on.
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There's this idea of a star, and this person is very aloof and writes all the music, and they don't talk to anyone unless they go through the record label. And I always felt very uncomfortable about that.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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My grandfather was an autoworker, and I have a weapon he manufactured to protect himself from the company that he would carry to work. It's a big iron pipe with a hunk of lead on the head. I think about how far we've come as companies from those days, where workers had to protect themselves from the company.
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I am very much aware of my own double self. The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child. He is not rational; he is impulsive and extremely emotional.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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Citizens who live or work near protest sites or marches have every right to be free of violence from protesters, and they should never be subjected to destruction of property.
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Some people look for a certain structure in their lives that they're comfortable with. People who work hard on the road as truckers, people who work hard using their hands. Then there are people who are fortunate enough to have my life, people who play these characters who embody these qualities.
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A novelist's lack of awareness of and critical distance to his own body of work is due to a phenomenon that I have noticed in myself and many others: as soon as it is written, every new book erases the last one, leaving me with the impression that I have forgotten it.
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To tell the truth, fairytales have never gone out of style. They have been told and retold for thousands of years, finding new shapes and structures with each new generation of tellers.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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I work hard and support myself.
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I much prefer touring to anything else. Studio work is great, and can be hugely satisfying, but live work has the excitement and the lifestyle that I love.
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I've never seen hard work fail.
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I am very fortunate to work with people I have seen on the screen so many times and admired, and they are in the public eye, and I have seen how they handle it. There are definitely ways to just keep on enjoying the profession and the work. Other people tell me that things are going to change.
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I get little kids who recognize me from 'Mary Poppins,' and it just delights me because it's our third generation.
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There are no wishy-washy astronauts. You don't get up there by being uncaring and blase. And whatever gave you the sense of tenacity and purpose to get that far in life is absolutely reaffirmed and deepened by the experience itself.
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You can't put yourself into competition with a magazine like 'Vogue.' You have to create something new, something different.
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No politician in a European sense is happy with 26 million people unemployed. Nobody can be happy with 6 to 9 million young people unemployed. You have to give them hope and confidence and a sense of inspiration that the European process is actually about people, not about bureaucracy.
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Star-crossed lovers who have a destiny that isn't necessarily going to work in their favor - that's a universal story; that's an archetypal story.
