Thom Yorke Quotes
Quotes to Explore
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As you get older, challenges arise that you aren't prepared for, but what got me through it was music.
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Acting is an odd lifestyle. You make deep bonds quickly and, though you move on, you go around on a loop and see people again.
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I don't do grey. I like my colour, my style.
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I loved being on the set of 'Field of Dreams' because I hung out with the baseball players all day, played cards, flirted with Ray Liotta, and had a ball.
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We have to embrace the good over the bad. That has to be one's personal project.
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I love things that people hate. I hate middle-of-the-road stuff. It never really interests me.
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People return my phone calls now, which is really interesting. I'll tell you what I've learned that's kind of bittersweet. So many doors have opened up. I've met everybody in the business. I'm fortunate people want to work with me.
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I try to write about a woman finding her self-respect, valuing herself, and liking herself again. But what one desperately wants now is to write a proper novel.
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Smelling a crayon takes you right back to childhood. When I need to go back in time, I put it under my nose and take another hit.
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When I graduated, I was director of my school's sketch comedy group, and I knew that I wanted to be writing and performing my own sketch comedy. It kind of made me want to do my own one-person sketch group.
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Whether our forebears were strangers who crossed the Atlantic or the Pacific or the Rio Grande, we are here only because this country welcomed them in and taught them that to be an American is about something more than what we look like, or what our last names are, or how we worship.
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I don't look like a desert person because I stay indoors most of the day and fool around at night. That's what the desert animals do - they don't have a tan either.
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I think I just have a natural operatic aesthetic. I can't help it.
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I've seen descriptions of advanced TV systems in which a simulation of reality is computer-controlled; the TV viewer of the future will wear a special helmet. You'll no longer be an external spectator to fiction created by others, but an active participant in your own fantasies/dramas.
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You never want to sound bitter about critics, because they're entitled to do their job, too, but I place much more trust in a person who I can look in the eye and someone who I know I share some kind of taste with - so my friends, for instance. For me, a critic is unknown and therefore irrelevant.
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With the right help, children have a good chance of overcoming their issues while they are still young and can have the bright future they deserve.
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In '94, we made the deal during collective bargaining that wasn't the right deal, just to save the season. Allowing the 'in the crease' rule, the foot-in-the-crease rule, we should have not done.
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I think it's important as a filmmaker, as any person working in the arts, that you've got to try new stuff and challenge yourself and take chances.
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You cannot make a teenage idol.
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I think people in Great Britain are a bit jaded sometimes.
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I've studied the lives of the 20th century's great businessmen and concluded self-confidence was instrumental in all their success.
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I would not sit waiting for some vague tomorrow, nor for something to happen. One could wait a lifetime, and find nothing at the end of the waiting. I would begin here, I would make something happen.
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Q: Does commercial success matter to you?
