Ken Kesey Quotes
When people ask me what I think is my best work, it's the bus. There're lots of books, but there's only one bus.
Quotes to Explore
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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Imagination will often carry us to worlds that never were. But without it we go nowhere.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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I've had the good fortune of studying the 17th-century art of Amsterdam in preparation for a film.
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I once went to one of those parties where everyone throws their car keys into the middle of the room. I don't know who got my moped, but I drove that Peugeot for years.
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When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.
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I never got into politics for it to be a career. It doesn't take a lot of strength to hang on. It takes a lot of strength to let go.
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We fear to know the fearsome and unsavory aspects of ourselves, but we fear even more to know the godlike in ourselves.
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I had done another show called 'United States of Cars,' which was a pilot that didn't get picked up. And they said, 'You know, we're doing 'Top Gear,' and would you like to meet the guys?' It was the wild - most wild audition I ever had because I never went to a studio or a producer's office.
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I grew up in a village of 12 houses. We had a well and a cow.
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I take my kids to school... I make them breakfast. Unfortunately, dad is a big spoiler, and most days, I make four different breakfasts.
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I know exactly what it's like to stand on top of a tall building or in a high place and look down and go, 'Ohhhh my God.' I try to get into that place every time I write a scene like that. And definitely when I write the action scenes, I get overheated and my heart goes really fast. I get very involved.
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The history of our country is not the history of any other country in the world which is either practicing advanced democracy or struggling to lay the foundation for democracy.
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The relationship with time changes when you're captive.
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I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
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The work on ants has profoundly affected the way I think about humans.
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Most practical jokes, I'll feel too bad for the other person so I'll stop just before the punchline.
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I have every single Ferrari that came out. I have all the Mercedes they came out with, all the Jaguars they came out with, all the Porsches they came out with.
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I know what it feels like to be a victim of domestic violence.
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Bambi, to a kid, was scary.
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Some of my books sort of have a provocative take. Sometimes you find interesting things about characters that show they weren't necessarily the way people usually see them. It can make for lively conversations, but that's great. Spark a little controversy, get people to think about it. That's what it's all about.
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I like to work in the morning, usually from 7-12, and still always hope to do more later. At the end of a book, I just work most of the time, but in general, I like to be working nice and early.
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I had gone to law school thinking that I would do something in the service of black people.
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When people ask me what I think is my best work, it's the bus. There're lots of books, but there's only one bus.
