Marilyn French Quotes
Nothing is ever simple. What do you do when you discover you like parts of the role you're trying to escape?
Quotes to Explore
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The fallacy of the neoclassicals is their tenet that total employment, though hit by shocks, can be said always to be heading back to some normal level.
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I don't really feel like I have to have a debate with my husband over issues.
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What's interesting about Stephen Baldwin is that me and Dana Gould were originally cast for 'Bio-Dome' – but Pauly Shore and Baldwin ended up doing it. So there's a little movie trivia for ya.
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It is very lonely sometimes, trying to play God.
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Well, yeah, but I probably wasn't as open about my desperation.
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I've been doing this since 2011, when I started on Instagram. Building my presence on there was important to my brand, but I wanted to take my audience to other platforms, so I then crossed over to Twitter second, then YouTube third. It wasn't until I made my fourth crossover to a different platform that I went to Vine.
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What inspires me most to write is the act of traveling.
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I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.
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One of the things I'm really good at is procrastinating.
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My father felt that his world of ideas was too liberal for traditional rabbinical teachings, and he looked for a chance to find a way in life.
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I just feel like whenever the team needs a bucket, I can come and get it. I feel I'm a really good scorer.
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I was always active as a kid. I was a professional figure skater for many years and I was a dancer, so it's just been part of my life, and I think that creates a certain body type.
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A P2P business is a company that creates a platform which allows individuals or 'peers' to directly buy and sell from each other. This activity has sometimes been called the 'sharing economy.' Some are wary of these new companies and the challenge they pose to the established market.
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Dead men tell no tales.
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For years I've wanted to write about the Australian countryside, but, like most Australians, I've only got a tourist's knowledge of it. I thought that if I disobeyed that basic rule of writing - write about what you know - I'd write a thin and inauthentic book.
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When Matt LeBlanc had his show 'Joey', I strongly suggested to the producers that they should bring me on.
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In the '70s, my playing was completely untutored, but it sounded good to me, and I tried to find ways to make those very simple things work in more ambitious contexts.
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Sometimes I feel that the people I'm writing are more real to me than the people around me. When you take that imaginative leap, you're living so much in that world.
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I can't imagine, I can't get in the mind of a wrestling fan who wants to break news that spoils a surprise for somebody. Would you want a surprise spoiled?
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I used to think I preferred getting old to the alternative, but now I'm not sure. Sometimes the momotony of bingo and sing-alongs and ancient dusty people parked in the hallway in wheelchairs makes me long for death. Particularly when I rememver that I'm one of the ancient dusty people, filed away like some worthless tchotchke.
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To find love is the great human undertaking...and it's always complicated by our compulsions and unconscious patterns, to say nothing of issues of trust and control.
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My biggest challenge in making 'The Devil Wears Prada' was simply to maintain a tone of sophistication and reality. It's about the fashion world, or it's set in the fashion world, and that's a world that's easy to mock. It's easy to satirise people trying to lose weight and choosing between fancy clothes.
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A lot of times when I play a show, I'm the only girl on the bill. We're a minority, for sure.
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Nothing is ever simple. What do you do when you discover you like parts of the role you're trying to escape?
