Marilyn Hacker Quotes
I try to write everyday. I do that much better over here than when I'm teaching. I always rewrite, usually fairly close-on which is to say first draft, then put it aside for 24 hours then more drafts.
Quotes to Explore
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Hallucinatory - that's just the way everyday life is, in Colombia. All the time, you say to yourself, did I just see that?
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If the spectrum linking everyday depression to Major Depression sometimes hinders understanding of it, it also offers an opportunity for empathy. Because almost everyone, at some point, experiences feelings of sadness, of hopelessness, of emptiness, not to mention lethargy and irritability.
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The difference between being a victim and a survivor is often a low level of situational awareness. You can't be a super-spy, watchful and paranoid every day. But I am more watchful than the average American.
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Every day it seems more likely that we are destined - or should one say doomed? - to replay the disastrous economic history of the 1930s.
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I like to dress up every day, so I think fashion is an everyday process.
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I can't do it every day. They're not going to give me much to hit right now. They're pitching me real well. If I get there, fine.
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Because I find writing painful, I try to get it over with as fast as possible. But I write every day, or I lose the thread.
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I have a need to play intensely every day, to fight every match hard.
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Individual warrants every day are used to arrest dangerous people.
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When I was 17, I used to really think about what I wore every day.
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I feel like I'm constantly falling behind. I feel like every day I'm out of the office I'm falling behind.
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It was really unusual to go from being in university for four years to all of a sudden acting every day. I'd never been able to do it exclusively like that. It was always sort of like my secret thing that I did privately.
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I love fashion. I like dressing how I feel, and my music shows how I feel - they go hand in hand. My performance style is pretty much the same as my everyday style.
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I get paid all day, every day, which is almost too much for a sensitive artist.
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I train for around 3-4 hours everyday. It can go up to 6-7 hours when a competition is approaching.
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I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic.
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My workout mantra is 'Break a sweat every day.' Even if it's just for 20 minutes. I'm very disciplined about that.
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As much as I love to dive into the action early, I think the hero's journey is important - the idea that the reader needs to experience the protagonist's everyday life before you turn that world upside down.
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I haven't really been auditioning. For me is about finding quality work versus finding work. I get a considerable amount of offers everyday.
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The whole idea with the show from the start was to go international.
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I'm endorsed by Yamaha. I represent Yamaha, and I really like the way that piano handles and capacitates the force that I put into it without losing the shape of the sound and the contour, and it really holds up well.
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His kind of courage was boundless, though, and he would not have turned away a person in need, whether a star performer or a simple laborer or a child such as Theo with no skills at all. It was not about the circus or family connections, but human decency. Herr
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Better to perish from fools than to accept praises from them.
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I try to write everyday. I do that much better over here than when I'm teaching. I always rewrite, usually fairly close-on which is to say first draft, then put it aside for 24 hours then more drafts.
