Marilyn Monroe Quotes
A man is more frank and sincere with his emotions than a woman. We girls, I'm afraid, have a tendency to hide our feelings.
Quotes to Explore
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Art breathes into life a surplus that is both vital and extraordinary.
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I'm a New Yorker. My background is in theater, so staying here, I have the opportunity to get back to that, which I would love to do.
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The true self seeks release, not constraint. It doesn't want to be corseted in a sonnet or made to learn a system of musical notations. It wants liberation, which is why very often it fastens on the novel, for the novel seems spacious, undefined, free.
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Whatever I do, I hope it's quality, I hope it's something that's class.
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Anybody with skin issues knows that that's a very sensitive subject, and that's why I've never shared that I have vitiligo because I do.
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I see a deep connection between peace and change: peace always starts from within, for communities and people alike. The same is true of change: real change starts from within.
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Change is inevitable, and you can't stop that change. You say, 'Wait, stop,' and it just drives right over you.
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I look around my house, and everything except the kids and dogs was made in China. And I'm not sure about the kids. They have brown eyes and small noses.
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Angry or not. It's a human emotion. But you can't walk around being angry all the time. What a dull person you'd have to be!
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I know how to treat my voice to make it sound as good as it possibly can - which is still not that good.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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When you get older, two things happen to you. You begin to lose your hearing, and I forget what the other one is.
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When I got '227' and broke out from the rest of the cast, I became a workaholic, and I was very lonely.
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For the vlogging channel, I wanted to build the infrastructure and build up all the personalities in a way that felt like weren't just forcing the audience to watch everyone we have.
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A reviewer once commented that my urban fantasy novels were paced more like epic fantasy, in that they relied on complex world-building and a gradual immersion in the lives of the characters.
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I think I can change the game.
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Do the thing we fear, and death of fear is certain.
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If you're throwing someone off a roof, you're throwing them off the roof. It's there. You don't have to do anything extra with that. The audience is obviously going to react to that because it's such a heightened thing to do. But in the other moments, you really look for ways to craft those, because they're more important, honestly.
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I'm more comfortable performing in front of 50,000 people than five people - it's easier. When there's that many people, I feel like I'm alone. When I perform in front of only a few people, it's scary.
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People have their own ideas how about they should appear.
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I had no idea who I was when I started. I was frightened to death and had no natural performing skills.
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I'm just the opposite of a lot of photographers who want everything to be really, really sharp. And they're always, you know, stopping it down to F64.
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The worst part was that I had things I wanted to tell my mother, too many to count, but none of them would go down so easy. She'd been through too much, between my siters-I could not add to the weight. So instead, I did my best to balance it out, bit by bit, word by word, story by story, even if none of them were true.
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A man is more frank and sincere with his emotions than a woman. We girls, I'm afraid, have a tendency to hide our feelings.
