Marilynne Robinson Quotes
When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.
Quotes to Explore
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A real book is not one that we read, but one that reads us.
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That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
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Real luxury is customization.
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We take so many of our freedoms for granted nowadays - I can travel where I like, I can have a baby when I like, I can do any job I want - but I do think chivalry has been lost a little bit.
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I've been blessed with a wonderful husband, two caring daughters and sons-in-law, and four really special grandchildren. They have each enhanced my life.
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No one who is in this world will deny that evils exist. What, then, do we say? That evil is not a living and animated substance, but a condition of the soul which is opposed to virtue and which springs up In the slothful because of their falling away from good.
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People realised this is real pollution; it is not fog. Now everyone has to face the data and come out of their comfort zone.
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When I met Eric Clapton, I was a very young girl. I was 20 years old. And we were linked for a very short time, and then we became friends. And then we lost touch, which I'm really sorry about.
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Real love is a permanently self-enlarging experience.
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I have lost the freedom of not having an opinion.
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It's real nice and exciting for me to break the records, but it's more exciting for me to be on a winning team.
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I played a character in 'Ransom' who was as evil as they come.
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It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
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A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.
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I love to personalize things. I love to make things my own. I like to name everything - from cars to iPhones to the socks I just lost.
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I've got a clear line between work and real life.
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It's successful, middle-class Arab men and women, professionals with seemingly happy family lives, who are prepared to go to paradise for a greater cause. That's terrifying.
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It's weird how people who are the least close to me or who've never even met me purport to be experts on the real me; and then, sadly, there are those who could be in touch with me but prefer to gossip with strangers about me instead.
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'Dallas' hit a chord back in the late Seventies and Eighties because it was the age of greed: here you have this unapologetic character who is mean and nasty and ruthless and does it all with an evil grin. I think people related to JR back then because we all have someone we know exactly like him. Everyone in the world knows a JR.
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The principal element of Suprematism in painting, as in architecture, is its liberation from all social or materialist tendencies. Through Suprematism, art comes into its pure and unpolluted form. It has acknowledged the decisive fact of the nonobjective character of sensibility. It is no longer concerned with illusion.
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Living is the same thing as dying. Living well is the same thing as dying for others.
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They do not merely collect texts; they must also gather data about the context and the informant and, above all, write an analysis of the items based upon the course readings and lecture material on folklore theory and method.
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In a few days I'll have lived one score and three days in this vale of tears. On I plod-always bored, often drunk, doing no penance for my faults-rather do I become more tolerant of myself from day to day, hardening my crystal heart with blasphemous humor and shunning only toothpicks, pathos, and poverty as being the three unforgivable things in life.
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When I read 'Paradise Lost,' or 'Richard III,' it is clear that Milton and Shakespeare took real pleasure and satisfaction from creating these epitomes of evil.
