Marin Hinkle Quotes
Quotes to Explore
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I distrust Great Men. They produce a desert of uniformity around them and often a pool of blood too, and I always feel a little man's pleasure when they come a cropper.
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Obviously, we're focused on the Winter Classic.
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Feature filmmaking is a very powerful medium. It has a hold on me now.
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It is all very well and it sounds very seductive to say we are going to have harmonisation of regulations, but for example the way that funds are distributed around the states these days, you are positively penalised if you actually want to have say a lower payroll tax or sort of conditions.
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I don't ever remember a single day of hopelessness. I knew from the history of the labor movement, especially of the black people, that it was an undertaking of great trial. That, live or die, I had to stick with it, and we had to win.
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I like Baudelaire's sentences quite a lot. I read and re-read him very often.
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Origin stories are really important to me. I just like that sort of stuff and I feel like it makes a lot of sense to the guys, who they are. If you don't have that stuff, it's kind of a one dimensional version of it.
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Warren Beatty once told me that if someone's really stuck on you, find them their next boyfriend. But I could never do that.
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I just don't tend to cook eggplant at home.
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I have little doubt that gerontologists will eventually find a way to avoid, or more likely, delay, the unpleasantries of extended life.
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I married beneath me, all women do.
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I've spent most of my mature life trying to prove that I'm not irresponsible.
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Of one thing there is no doubt: if Paris makes demands of the heart, then Munich makes demands of the stomach.
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My friend Jerry Falwell was the one who said it, and he was a guest on my show, and it's hard to take the blame for everybody who shows up on your show.
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I'm a terrific mimic, and you can feel my funny bone.
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It used to be that I wanted to be taller. Once I made 5-foot-1, I was happy.
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Ultimately love is everything.
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There is a kind of misconception that Asian-Americans are not as American as European-Americans.
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Cinema builds memories; great films continue to exist in the spectator's mind. We are naturally capable of and prone to nostalgia. A spectator will reconstruct a film he or she has seen, years later, and may even change their original opinion. One critic, for example, once gave the finger to one of my films; later he wrote me to apologize.
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Everything I've ever done was out of fear of being mediocre.
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I've done a bunch of Broadway, so I'm a theater nerd when I come to New York.
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There is, therefore, no solution possible other than an economy directed by the workers through their organisations of control-through the workers' syndicates.
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I was thinking about Afghanistan's future, Afghanistan's next generation, what we have next. These children who learn how to kill people, how to do jihad, how to behead, how to fire, this would be Afghanistan.
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Since I got out of grad school at NYU, I've always done as many plays as I can.