Marina Abramovic Quotes
Quotes to Explore
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I think every job I do, I sort of look for the challenge in. I mean, that's why we do this job. It's not, you know, obviously not for the money or for the fame, it's for, I guess finding out more about yourself.
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Awards for arts, where you make comparisons, don't make much sense.
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I loved publishing; I loved working in the book industry, but I've been writing pretty much nonstop since I was 19. I realized very early on that I would need a day job, and I wanted one that was in books.
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The mystery of government is not how Washington works but how to make it stop.
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I think the attraction to Israeli women stems from the fact that we're exotic and the fact that there are many talented and beautiful women in Israel. I think that there is also greater awareness of Israel than before in the movie industry.
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It was just such a demeaning thing to do, being in silent movies. They'd call you up and tell you, 'Hey, jump off this building!' and they'd give you a hundred bucks, and you'd do it.
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There are so many female roles - particularly for young women - that are just somebody's girlfriend or somebody's daughter, or that are accessories to the main story rather than being three-dimensional characters.
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But I think we need the international market.
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The good poet sticks to his real loves, those within the realm of possibility. He never tries to hold hands with God or the human race.
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I've performed Schoenberg's 'Pierrot lunaire' many times.
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The Arab states don't seem to do a good job of providing for their own people, so I am not sure why they would suddenly develop an ability to help the Palestinians.
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The rewards of freedom are always sweet, but its demands are stern, for at its heart is the paradox that the greatest enemy of freedom is freedom.
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I had a monumental idea this morning, but I didn't like it.
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I went to high school in New York City. So, I grew up in New Jersey my whole life, and I was watching all the people and all the kids that I met there become so jaded.
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I was very close to my mother, and her death, which left a gaping hole in my life, has been very difficult for me and my father in a lot of ways.
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I want to reach the heights of stardom beyond my imagination.
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I'm very involved in the writing on every level.
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The Queen's wedding dress in 1947, there was some embroidery on the train which was definitely there to illustrate new dawn/post-war optimism, that sort of thing.
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My own zigzag path through life led me back to Santa Cruz in the early Eighties, and I have revisited regularly since. The place hasn't changed: head in the clouds, backside on the hills and feet in the ocean - one of the most decent and beautiful places on earth.
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In an age of incompetence, I've been able to last in this crazy business. I actually know how to play my ax and write a song. That's my job.
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I want to play a character with grey shades.
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If you improvise a riff and the crowd immediately reacts to it, you know you're on to something.
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There was no convincing me that a stepmother could be anything but a wicked ogre, and I acted accordingly.
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All my inspiration comes from life. That's how it never stops, in a way.