Chaim Potok Quotes
It is impossible to fuse totally with a culture for which you feel a measure of antagonism.
Quotes to Explore
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I've always been a bit of a poser. I was chucked out of ballet lessons for looking in the mirror.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
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Scandinavia was awash with Maoism in the '70s. Sweden had Maoist groups with a combined membership and periphery of several thousand members, but it was Norway where Maoism became a genuine popular force and hegemonic in the culture.
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I like a walking culture; I need to be in a city where you can walk everywhere.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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I think culture precedes politics, and I think the attempts to try and legislate people's behavior... isn't going to be productive until the culture decides what they want to achieve.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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I've always felt very much from a mixed culture – mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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New York is rich in culture, cuisine, and commerce.
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In order to be universal, you have to be rooted in your own culture.
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It was this society and culture that among other things - including economic opportunities here and repression in Europe - attracted subsequent generations of immigrants to this country.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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There are some people who have helped to advance me and other girls, but the fashion industry is always behind popular culture. They think they understand the zeitgeist. They don't know anything about the zeitgeist.
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The Tea Party movement went off on a more extreme agenda that I did not support at all, and was very frustrated by it, to the point that not only did I change parties, I decided to do something about it and run for Congress.
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When you give up a bit of work don't (unless it is hopelessly bad) throw it away. Put it in a drawer. It may come in useful later. Much of my best work, or what I think my best, is the re-writing of things begun and abandoned years earlier.
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Jesus remains unshaken as the practical man; and we stand exposed as the fools, the blunderers, the unpractical visionaries.
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We tend to think of Steam as tools for content developers and tools for producers. We're just always thinking: how do we want to make content developers' lives better and users' lives a lot better? With Big Picture Mode, we're trying to answer the question: 'How can we maximize a content developers' investment?'
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I feel like soundtrack music is almost like seeing the movie again, but with my ears.
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It is impossible to fuse totally with a culture for which you feel a measure of antagonism.
