Chaim Potok Quotes
It is impossible to fuse totally with a culture for which you feel a measure of antagonism.
Quotes to Explore
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I come from an immigrant culture. I'm only a couple of generations away from having been a servant girl myself.
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I've always been a bit of a poser. I was chucked out of ballet lessons for looking in the mirror.
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I'm French - it's less important. Meaning, I remain a Frenchman in America, but I adapt to American culture. I feel good there - but I'm still a foreigner.
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I read the Steve Jobs book, and that kind of changed everything. I've been, like, an Apple geek my whole life and have always seen him as a hero. But reading the book, and learning about how he built the company, and maintaining that corporate culture and all that, I think that influenced me a lot.
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Scandinavia was awash with Maoism in the '70s. Sweden had Maoist groups with a combined membership and periphery of several thousand members, but it was Norway where Maoism became a genuine popular force and hegemonic in the culture.
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I like a walking culture; I need to be in a city where you can walk everywhere.
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The music is just so rich and part of the culture there. I suddenly felt like I needed to go on this mission to make sure we save New Orleans because - not that I can save anything - but it's so much part of what this country is, this whole mix of people coming together and doing this thing.
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I think culture precedes politics, and I think the attempts to try and legislate people's behavior... isn't going to be productive until the culture decides what they want to achieve.
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African-Americans are not a monolithic group. So, we tend to talk about the black community, the black culture, the African-American television viewing audience, but there are just as many facets of us as there are other cultures.
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I've always felt very much from a mixed culture – mainly English and French, but also Nigerian, Thai, Mexican. Everything's had its influence on me.
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One of the things I think is important about 'Watchmen' is that it have resonance within cinematic pop culture as well as superhero culture.
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New York is rich in culture, cuisine, and commerce.
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In order to be universal, you have to be rooted in your own culture.
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The fictive structure, my work, my imagination, my books are about the details, the huge construction about culture, Islamic culture or modern Turkey. They're all intertwined.
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All objects, all phases of culture are alive. They have voices. They speak of their history and interrelatedness. And they are all talking at once!
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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There are some people who have helped to advance me and other girls, but the fashion industry is always behind popular culture. They think they understand the zeitgeist. They don't know anything about the zeitgeist.
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That culture of frugality and discipline is really important for the Y Combinator mindset.
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Describing passive violence in this culture is kinda like someone who is drowning in the middle of the ocean giving you the low-down on water. The only way you can really understand passive violence is by going somewhere far, far away from phones, news, TV, the Internet.
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Russians are not a very friendly people. It's hard to get them to speak nicely to the customers. It's just not in their culture.
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Lyrical poets have to be in touch with visceral experience. I've always tried to avoid virtual experiences. That's emerging in my fiction.
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I try hope that in the end, we will live in a cancer-free world. We want to live disease-free lives.
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It is impossible to fuse totally with a culture for which you feel a measure of antagonism.
