Neil deGrasse Tyson Quotes
For me, the most fascinating interface is Twitter. I have odd cosmic thoughts every day and I realized I could hold them to myself or share them with people who might be interested.
Quotes to Explore
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My autobiography is a digressive illustration and exemplification of what race has meant in the world in the 19th and 20th centuries.
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I think it is often easier to make progress on mega-ambitious dreams. Since no one else is crazy enough to do it, you have little competition. In fact, there are so few people this crazy that I feel like I know them all by first name.
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People have said to me, 'It must be nice to prove so many people wrong,' but I've never really cared about proving anything to anybody else.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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I think people underestimate the importance of lighting - layers of lighting, not just one light. I do a lighting seminar where I take a $300-a-yard fabric and a $3-a-yard fabric. I show what lighting can do to either one.
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And a tiny number of people in a few states make these decisions, and we're left with these options that are increasingly not attractive to the American people.
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My favorite book in life is 'A Wrinkle In Time,' which I read before high school. It was my first introduction into the meeting of science and spirit and the universe and big thoughts and all of those interesting New Age-y concepts. It made everything make sense to me and opened up my mind.
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When one tears away the veils and shows them naked, people's souls give off such a pungent smell of decay.
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That point of life when I learned I could cook, that always made me understand what cooks felt like feeding other people. It's okay to receive, but it's really cool to give, so food is to me sexy because it's the fact that someone is giving it to someone else.
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It is important not to trust people too much.
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Chinese people themselves, they really want change.
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I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
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I've always believed in working hard, and I'm grateful that people seem to connect with the kinds of stories I'm passionate about telling.
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I certainly wasn't a fan of Thatcher's politics. People liked to label us as children of Thatcher. What nonsense. The real children of Thatcher came in the 1990s, and had no interest in politics. The Oasis, Britpop scene.
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The Dutch are a very practical people.
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Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it.
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I feel like I was born and bred to stay self-motivated. I'm not one of those people who ho-hums and feels sorry for himself when something's bad.
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I'm compulsively on time. It drives me insane when people are late.
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'Good Times' was with a live audience, three camera, and that was really intimidating. Because there were people on both sides, moving from set to set, and it was pretty scary. As I say, I didn't have a foundation in Hollywood. I hardly knew anybody. Just at the social level. I felt pretty isolated here, I really did.
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One of the things I like best about 'Biggest Loser' is being around people who are trying to make the right choices. When you feel defeated about your weight and your health, like there's no hope, and you still make the choice to fight for it, to make the change happen no matter what people say or think, that's inspiring to me.
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Popular culture is most powerful when it offers us a vision of how our society should look - or at least reproduces our reality.
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I don't try to be someone I'm not - I've always followed my heart and trance has always been my main sound.
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The buffoonery of Haydn, Beethoven, and Mozart is only an exaggeration of an essential quality of the classical style. This style was, in its origins, basically a comic one.
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For me, the most fascinating interface is Twitter. I have odd cosmic thoughts every day and I realized I could hold them to myself or share them with people who might be interested.
