Chris Pavone Quotes
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I'm kind of sarcastic. Not cynical but sarcastic.
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What are the relationships between power and knowledge? There are two bad, short answers: 1. Knowledge provides an instrument that those in power can wield for their own ends. 2. A new body of knowledge brings into being a new class of people or institutions that can exercise a new kind of power.
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As with lemon juice, the more sorrel you use, the more it has to be balanced with something sweet, starchy or creamy - it's a yin-yang approach to cooking that I find rather calming.
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People who live in a glass house have to answer the door.
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I've been a victim in every film I have done so far. It would be nice to play someone who doesn't get killed for once. Then again, I am getting really good at screaming and fake tears.
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I think the government must recognise that the wounds of conflict are even more grievous on the mind than the body, and indeed may even serve to fuel further conflict. Where conflict cannot be avoided, provision of adequate psychosocial services to prevent the adverse mental health consequences should take priority.
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On the contrary, I'm a strong believer in the necessity of imperfection coming into the film.
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A plan is always successful if the plan is good.
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I'm not Mr. Mom, but there's just certain things I won't say anymore.
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I started off singing in church as a child. The sound of voices coming together, that was my first moment of touching something outside of myself.
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I like junk food, French fries, hamburgers - I love it.
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I'm a mother of a three-year-old, but when I started 'California,' my son wasn't even a twinkle in my eye. Because the book took as long as it did, I wrote it before I was pregnant, while I was pregnant, and as a new mother - so I enjoyed a diversity of experiences while creating this world.
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The burden for achieving disarmament cannot be borne by peace groups alone. Everybody, regardless of age, income, profession, gender or nationality, has a stake in this quest.
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I don't see myself as a diva at all.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I could have taken the easy life and just done classical, but I felt very strongly about the album, my first pop album, the first time that I'd fused so many influences. I was very proud when it was in the charts in 25 countries at once.
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Before mobile phones, I used to call my parents from a phone box and reverse the charges.
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Chopin was an invalid, as you know, but his music was volcanic.
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I've always sung in choirs and acapella groups, but when I was in college, I finally started writing songs and playing with a band, and that ignited a desire to do it full time and pour everything I had into it.
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I spent loads of time in Scotland as a kid. My dad would take us back up to Aberdeen loads, and I have very fond memories of getting chips from his favourite chippy and heading down to the beach to eat Baskin Robbins ice cream.
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I try to be as honest as I can in writing. That's what ends up translating and relating to people.
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The more we can grow on already cultivated land, the better.
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Who will want to write if writing doesn't pay?
