Kenneth Clark Quotes
No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
Quotes to Explore
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With so many millions of titles available, the books that will get talked about are the books that make readers talk about them.
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William Regal has been the most influential person in my entire career.
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I was fortunate enough to visit a lot of beautiful places around the world. The most astonishing and memorable experiences were my trips to Africa and Australia.
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I don't Twitter, although sometimes I think that I should.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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You possess a potent force that you either use, or misuse, hundreds of times every day.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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I always feel I had a very lucky life. For example, I sure didn't want to go in the army: when I was drafted in the Korean War, I wanted to go as a photographer. But luckily, they put me in the infantry - luckily because the official photographer was photographing the medal awarding and all the official situations.
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It's human nature to not say everything that's on your mind at the time you think it. Because we fear saying something that people will laugh at, people will think is dumb. We're afraid of being embarrassed.
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It's important to get well-rounded right off the bat. A lot of experienced dancers can get pigeonholed into one thing. I've been hired for a lot of different gigs simply because I can do a lot of different things with different levels of dancers. And it's sad to me that some dancers don't do more.
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Exploring is an innate part of being human. We're all explorers when we're born. Unfortunately, it seems to get drummed out of many of us as we get older, but it's there, I think, in all of us. And for me that moment of discovery is just so thrilling, on any level, that I think anybody that's experienced it is pretty quickly addicted to it.
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At school I was always taller than the rest of my class, and because I was an only child, I was comfortable with adults but shy and awkward with other kids. I was quiet, bookish, and in spite of my size, hopeless at sports. In short, I was different. And even in the earliest grades, I got pounded for it.
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It makes me forget that I'm not going to be a major star and lead female in films whether it was 20 years ago, 10 years ago, five or in the future.
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L.A. really doesn't feel like home to me anymore.
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I've always written about animals. I'm still trying to process why that is.
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In spite of holidays when I was free to visit London theatres and explore the countryside, I spent four very miserable years as a colonial at an English school.
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Whenever anything went wrong at home, because I was the only boy, I would get blamed for it straight away. Girls stick together.
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When a horse offers their face to you, they're interested in what you are, what you're doing. They're paying attention.
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We're a family operation. There's not many of us. We have a couple people who come from time to time who work with us. Two of my sons are themselves filmmakers, and we can't afford them nor they us.
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It’s no go the Yogi-Man, it’s no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.
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If I can do it, anyone can do it.
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I'm a huge fan of writing for people rather than writing and then trying to wedge people in. I'd love to know who the people are before I can write for them. For me, it's a much more organic way to create characters.
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No nude, however abstract, should fail to arouse in the spectator some vestige of erotic feeling, even if it be only the faintest shadow - and if it does not do so it is bad art and false morals.
