Cameron Russell Quotes
Quotes to Explore
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I often joke that I straddle psychosis and neurosis, and that being an artist keeps me in the middle, so I can work between the two.
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I have an issue with rage. I'm going to work that out, long term.
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I am just like Dr. Armaan - fun-loving, flirtatious, and tension-free. I am serious about my work, but apart from that, I am always playing pranks on people. As a viewer, I relate more to 'Dil Mill Gayye.'
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This is the conundrum of the present regimes in the Arab world. They still want to control youth; they want to be in control as they did in the 1950s and '60s. But that doesn't work anymore. Now with just a Wi-Fi link, you can understand what's happening in the world.
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I'm not a good rapper. For whatever reason, my brain does not work that way. I just do the beginning, like, 'Yeah, yeah! Ha ha! Woo! What up? Come on! Get at me!' I'm Captain Hook.
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When nature has work to be done, she creates a genius to do it.
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You learn as you grow up, if you're intelligent - or even three-quarter witted - that there's no free lunch. You pay for things in various ways. Living, loving, everything else is a matter of the same principles: you learn to work with what you have.
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People have got to get together and work together. I'm tired of the kind of oppression that white people have inflicted on us and are still trying to inflict.
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I've worked in television all my life, but really I've always wanted to work in the movies.
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How I see my career is very much as an entrepreneur in the field of philanthropy.
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A fighter lives in his training camp, and I'm not always paying attention to what is happening on the outside. But I do know the Mexican people and the Mexican-American people in this country are very hard-working people. That's my only comment about Donald Trump.
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By 17, I was modeling and had bought myself a flat. I've always tried to be self-sufficient.
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Playing baseball is fun. If I could play, I'd never retire. But managing is work. It's constant decisions of whose feelings you want to hurt all the time.
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There's no possibility that foresight work will ruin my creativity. It goes to a different area than the creative wellspring of SF.
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I think great artists have no time to waste with having disproportionate egos and irrational requests. They're too focused on their work to actually lose themselves in hysterical spirals where they become monsters or tyrants.
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I would love to work with Jack White or Kanye West.
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If I'm going to produce something, it's going to be with somebody I think is special. Once I go beyond a handful of directors, like Scorsese, there are very few I want to work with.
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I wanted to inspire people not to work under a bamboo ceiling. Whatever you are - yellow, black, white, brown - you don't have to allow your skin to define who you are or how you operate your business. There's not one face to anything.
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My career's had a lot of ups and downs. Once I started playing with John Peers in 2013, that gave me a huge lift, a lot of direction, which I needed.
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The history of the Romanovs is an Elizabethan tragedy that lasts for three centuries. Its keynote is cruelty, a barbaric, pointless kind of cruelty that has always been common in the East, but that came to Europe only recently, in the time of Hitler.
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I think we too often make choices based on the safety of cynicism, and what we're lead to is a life not fully lived. Cynicism is fear, and it's worse than fear - it's active disengagement.
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In the Middle Ages people took potions for their ailments. In the 19th century they took snake oil. Citizens of today’s shiny, technological age are too modern for that. They take antioxidants and extract of cactus instead.
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For years, the West supported Mubarak and gave aid for what it hoped was stability - but was actually stagnation - in the Middle East.
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I work hard, but my modeling career gives my views undeserved attention.
