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The second political thing I did was to say 'The Beatles are bigger than Jesus.' That really broke the scene, I nearly got shot in America for that. It was a big trauma for all the kids that were following us.
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The music publishing I own is fabulous recording.
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Going to do it to you sweet banana, like it's never been done, and we'll get high, high, high, in the mid-day sun.
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And so this is Xmas for black and for white, for yellow and red, let's stop all the fight.
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Music touching my soul, the spirit dance was unfolding.
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I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music. And that`s the important part, not the mop-tops or whatever.
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They want to hold onto something they never had in the first place. Anybody who claims to have some interest in me as an individual artist or even as part of the Beatles has absolutely misunderstood everything I ever said if they can't see why I'm with Yoko. And if they can't see that, they don't see anything. They're just jacking off to - it could be anybody. Mick Jagger or somebody else. Let them go jack off to Mick Jagger, okay? I don't need it.
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I got my first guitar when I was 15, and I just used to fool about with it, more or less, as time went by, though, I got more interested.
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When his rolls royce was mobbed by fans the chauffeur said: ''do you want me to get them off the car?'' and Lennon replied: ''No - they paid for it, they can wreck it...
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The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
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If people take any notice of what we say, we say we've been through the drug scene, man, and there's nothing like being straight.
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I realized that kids everywhere go for the same stuff; and seeing as we'd done it in England, there's no reason why we couldn't do it in America too.
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And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
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From our earliest days in Liverpool, George and I on the one hand and Paul on the other had different musical tastes. Paul preferred 'pop type' music and we preferred what is now called 'underground'. This may have led to arguments, particularly between Paul and George, but the contrast in tastes, I'm sure, did more good than harm, musically speaking, and contributed to our success.
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I'm not really a career person; I'm a gardener, basically.
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What I'd have liked would have been the money and the hit records without the fame.
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If everyone demanded peace instead of another television set, then there'd be peace.
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I've withdrawn many times. Part of me is a monk, and part a performing flea! The fear in the music business is that you don't exist if you're not at Xenon with Andy Warhol.
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You can judge a man's true character by the way he treats his fellow animals.
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Surrealism to me is reality. Psychedelic vision is reality to me and always was.
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Alas, it looks like those unsubstantiated rumours about me are about to come true after all this time.
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Music is everybody's possession. It's only publishers who think that people own it.
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Everything is as important as everything else.
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Where I come from, you don't really talk about how much you're earning. Those things are private. My dad never told my mum how much he was earning. I'm certainly not going to tell the world. I'm doing well.