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In the band I was in, we knew when we’d done the take, because it just feels good. It’s like golf. When you hit that ball right, you know. You feel it – you feel the connection. And connecting is good.
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It's also not unusual for writers to look backward. Because that's your pool of resources.
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This was the point of our lives when we found pills, uppers. That's the only way we could continue playing for so long. They were called Preludin, and you could buy them over the counter. We never thought we were doing anything wrong, but we'd get really wired and go on for days. So with beer and Preludin, that's how we survived.
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I felt an obligation even then to write a song that people would sing in the pub or on a demonstration. That is why I would like to compose songs for the revolution.
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I'm singing 'English Tea' from my new album 'Chaos and Creation in the Backyard.' I have a cup of tea in the morning, so it's something good to wake up to.
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I don't collect any memorabilia. I wish I'd have kept everything I had. But who knew you had to keep it. Just gave it away. And we lost so much and we didn't look after a lot of it. I believe Paul's got everything he ever had, but I lost a lot of mine.
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Music is everybody's possession. It's only publishers who think that people own it.
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No one is out to break your heart, it only seems that way.
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It depends who they are. If it's Mick Jagger or the Old Guard as I call them, yeah, they're the Old Guard. Elton John, David Bowie are the newies. I don't feel like an old uncle, dear, 'cause I'm not that much older than half of 'em, hehe.
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LSD went on for years. I must have had a thousand trips. I used to just eat it all the time.
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Everything is as important as everything else.
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We were all on this ship in the sixties, our generation, a ship going to discover the New World. And the Beatles were in the crow's nest of that ship.
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We got into music to avoid a job, and get lots of girls.
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If anyone was the Fifth Beatle, it was Brian [Epstein].
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Will you still need me, will you still feed me,when I'm sixty-four?
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From our earliest days in Liverpool, George and I on the one hand and Paul on the other had different musical tastes. Paul preferred 'pop type' music and we preferred what is now called 'underground'. This may have led to arguments, particularly between Paul and George, but the contrast in tastes, I'm sure, did more good than harm, musically speaking, and contributed to our success.
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Paul's last words to Linda: "You're up on your beautiful Appaloosa stallion. It's a fine spring day. We're riding through the woods. The bluebells are all out, and the sky is clear-blue".
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I think the music reflects the state that the society is in. It doesn't suggest the state. I think the poets and musicians and artists are of the age - not only do they lead the age on, but they also reflect that age. [...] Like The Beatles. We came out of Liverpool and we reflected our background and we reflected our thoughts in what we sang, and that's all people are doing.
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She's lovely, great. She was very friendly. She was just like a mum to us.
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My message is a peaceful one and I hope that the idea will spread.
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We probably seem to be anti-religious...none of us believes in God.
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I'm not into, Hey, what's your sign? or any of that. But I don't know how I got here, and I don't know how I write songs. I don't know why I breathe.
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I used to wish that I could write songs, like the others-and I've tried, but I just can't. I can get the words all right, but whenever I think of a tune the others always say it sounds like such-a-thing, and when they point it out, I see what they mean.
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Obladi oblada life goes on bra Lala how the life goes on