Béla Fleck and the Flecktones Quotes
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My most powerful memory was hearing Earl Scruggs on 'The Beverly Hillbillies' as a 5 or 6 year old. That sound just blew me away, shook my head up.
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I think I'm getting better at being verbal. I used to have a lot of problems with it. I had my own little demons that I was fighting, and I used the banjo as an escape.
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If you stopped playing notes, Music would still exist.
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When I play my own music, or when I play new music, there's much more stress and intensity of thinking about how I'm going to make it work!
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I learned that I'm so busy with what I'm doing, so focused on what I'm doing, that I miss a lot of opportunities for interacting with people.
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Lessons are good but there's a lot inside of us that can be pulled out.
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I love what Chris & Katy are bringing to the table with Coal Train Railroad. It makes ME feel like a kid again! I think children of all ages will love the humor, silliness and the catchy, cool, and crazy music that reminds us all that music should be fun to listen to. I’m honored (and slightly tickled) to be part of this wonderful project. Thanks!
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And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
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The bass is the link between harmony and rhythm. It is the foundation of a band. It is what all the other instruments stand upon, but it is rarely recognized as that.
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I was a big fan of a writer named Jack Vance, a science fiction writer. He always wrote about these guys who were either going down a river in a strange world or would be in this one land where people acted really strange, and he'd have these interactions with them that were strange - he'd usually get run out of town or something. Then he'd end up in the next town over where the rules were totally different. And I love this stuff.
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I think the musical evolution I've gone through has come from all the work with the material.
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There is a tendency to want to isolate a little bit, from people that might look at me from a fan position, because it's hard to be a real person around them, and I really want that when I'm not out on tour and in that sort of public eye.
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Sometimes you can fix something that went wrong with what you do next and make it better than it would have been if it hadn't gone wrong, as an improviser, and I do know how to do that.
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Everybody should have a documentary made about themselves. It's amazing what you see and what you learn.